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拍品 46
MATTHEW DARBYSHIRE (B. 1977)
Deposition Model No. 16 - Water Cooler
已结束2020年7月23日
成交价
GBP 5,000
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MATTHEW DARBYSHIRE (B. 1977)
Deposition Model No. 16 - Water Cooler
plaster and scrim
57 x 13 3/8 x 14 5/8in. (145 x 34 x 37cm.)
Executed in 2015
Deposition Model No. 16 - Water Cooler
plaster and scrim
57 x 13 3/8 x 14 5/8in. (145 x 34 x 37cm.)
Executed in 2015
MATTHEW DARBYSHIRE (B. 1977)
Deposition Model No. 16 - Water Cooler
plaster and scrim
57 x 13 3/8 x 14 5/8in. (145 x 34 x 37cm.)
Executed in 2015
Deposition Model No. 16 - Water Cooler
plaster and scrim
57 x 13 3/8 x 14 5/8in. (145 x 34 x 37cm.)
Executed in 2015
Courtesy of the artist.
London, Herald Street Gallery, Matthew Darbyshire: Bureau, 2014.
Deposition Model No.10 - Water Cooler was first exhibited at the Herald Street Gallery in the solo exhibition Bureau in 2014. This present lot derives from a body of work that comprised what Darbyshire refers to as 'ultimate symbols'. Alongside the water cooler which the artist had adopted as the ultimate symbol of purity, stood the Farnese Hercules (power); a radiator (domesticity); and a robot (technology).
The layered fabrication process relates to the 3D printing method known as additive printing. This process sees each layer of an object built up by a step-by-step process in profiles. Usually carried out by a machine, here, Darbyshire exploits himself as the 'human printer'- using the same code, only this time interpreted by hand. He describes the outcome as a shakier, imperfect, but more expressive form of which he hopes reveals a unity between the human and machine, transcending both to instil more accuracy than a sculptor might ordinarily achieve.
"I feel honoured to be able to support such a fantastic cause as Maggie's, and have been a longstanding admirer of their incredible work...and the outstanding environments within which they conduct it!"- Matthew Darbyshire, 2020
The layered fabrication process relates to the 3D printing method known as additive printing. This process sees each layer of an object built up by a step-by-step process in profiles. Usually carried out by a machine, here, Darbyshire exploits himself as the 'human printer'- using the same code, only this time interpreted by hand. He describes the outcome as a shakier, imperfect, but more expressive form of which he hopes reveals a unity between the human and machine, transcending both to instil more accuracy than a sculptor might ordinarily achieve.
"I feel honoured to be able to support such a fantastic cause as Maggie's, and have been a longstanding admirer of their incredible work...and the outstanding environments within which they conduct it!"- Matthew Darbyshire, 2020
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.