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拍品 89
WOLFGANG TILLMANS (B. 1968)
(i) grey jeans over stair post, 1991; (ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993; (iii) Young Woman, Chemistry, 1992
已结束2020年2月18日
成交价
GBP 21,250
更多信息
WOLFGANG TILLMANS (B. 1968)
(i) grey jeans over stair post, 1991; (ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993; (iii) Young Woman, Chemistry, 1992
(i) grey jeans over stair post, 1991
signed and numbered '6/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 11 ½ x 15 7/8in. (29.1 x 40.4cm.)
sheet: 11 7/8 x 15 7/8in. (30.2 x 40.4cm.)
Executed in 1991, this work is number six from an edition of ten plus one artist's proof
(ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993
signed, titled and numbered 'Lutz Alex Suzanne & Christoph on beach ph Mar 33 pr col Apr 94 3/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 15 7/8 x 10 ¾in. (40.3 x 27.4cm.)
sheet: 15 7/8 x 12in. (40.3 x 30.5cm.)
Executed in 1993, this work is number three from an edition of ten plus one artist's proof
(iii) Young Woman, Chemistry, 1992
c-print
sheet: 15 7/8 x 11 ¾in. (40.2 x 29.8cm.)
Executed in 1992
Another version is in the permanent collection of the Walker's Collection, Minneapolis.
(i) grey jeans over stair post, 1991; (ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993; (iii) Young Woman, Chemistry, 1992
(i) grey jeans over stair post, 1991
signed and numbered '6/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 11 ½ x 15 7/8in. (29.1 x 40.4cm.)
sheet: 11 7/8 x 15 7/8in. (30.2 x 40.4cm.)
Executed in 1991, this work is number six from an edition of ten plus one artist's proof
(ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993
signed, titled and numbered 'Lutz Alex Suzanne & Christoph on beach ph Mar 33 pr col Apr 94 3/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 15 7/8 x 10 ¾in. (40.3 x 27.4cm.)
sheet: 15 7/8 x 12in. (40.3 x 30.5cm.)
Executed in 1993, this work is number three from an edition of ten plus one artist's proof
(iii) Young Woman, Chemistry, 1992
c-print
sheet: 15 7/8 x 11 ¾in. (40.2 x 29.8cm.)
Executed in 1992
Another version is in the permanent collection of the Walker's Collection, Minneapolis.
WOLFGANG TILLMANS (B. 1968)
(i) grey jeans over stair post, 1991; (ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993; (iii) Young Woman, Chemistry, 1992
(i) grey jeans over stair post, 1991
signed and numbered '6/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 11 ½ x 15 7/8in. (29.1 x 40.4cm.)
sheet: 11 7/8 x 15 7/8in. (30.2 x 40.4cm.)
Executed in 1991, this work is number six from an edition of ten plus one artist's proof
(ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993
signed, titled and numbered 'Lutz Alex Suzanne & Christoph on beach ph Mar 33 pr col Apr 94 3/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 15 7/8 x 10 ¾in. (40.3 x 27.4cm.)
sheet: 15 7/8 x 12in. (40.3 x 30.5cm.)
Executed in 1993, this work is number three from an edition of ten plus one artist's proof
(iii) Young Woman, Chemistry, 1992
c-print
sheet: 15 7/8 x 11 ¾in. (40.2 x 29.8cm.)
Executed in 1992
Another version is in the permanent collection of the Walker's Collection, Minneapolis.
(i) grey jeans over stair post, 1991; (ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993; (iii) Young Woman, Chemistry, 1992
(i) grey jeans over stair post, 1991
signed and numbered '6/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 11 ½ x 15 7/8in. (29.1 x 40.4cm.)
sheet: 11 7/8 x 15 7/8in. (30.2 x 40.4cm.)
Executed in 1991, this work is number six from an edition of ten plus one artist's proof
(ii) Lutz, Alex, Suzanne and Christoph on Beach, 1993
signed, titled and numbered 'Lutz Alex Suzanne & Christoph on beach ph Mar 33 pr col Apr 94 3/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 15 7/8 x 10 ¾in. (40.3 x 27.4cm.)
sheet: 15 7/8 x 12in. (40.3 x 30.5cm.)
Executed in 1993, this work is number three from an edition of ten plus one artist's proof
(iii) Young Woman, Chemistry, 1992
c-print
sheet: 15 7/8 x 11 ¾in. (40.2 x 29.8cm.)
Executed in 1992
Another version is in the permanent collection of the Walker's Collection, Minneapolis.
Daniel Buchholz Gallery, Cologne.
Acquired from the above by the present owner.
Acquired from the above by the present owner.
B. Riemschneider (ed.), Wolfgang Tillmans, Cologne 1995 (another version of (i) illustrated in colour, unpaged; black and white version of (ii) illustrated in colour, unpaged; another from the edition of (iii) illustrated in colour, unpaged).
Wolfgang Tillmans. Wer Liebe wagt lebt morgen, exh. cat., Wolfsburg, Kunstmuseum Wolfsburg 1996, p. 14 (another version of (i) illustrated in colour, p. 15; installation view of (i) illustrated in colour, p. 142; black and white version of (ii) illustrated in colour, pp. 144-145).
W. Tillmans (ed.), Wolfgang Tillmans: Burg, London 1998 (another version of (i) illustrated in colour, unpaged; installation view illustrated in colour, unpaged).
J. Verwoert, P. Halley and M. Matsui, Wolfgang Tillmans, London 2002, (another version of (i) illustrated in colour, p.38; installation view of (i) illustrated in colour, p. 67; black and white version of (ii) illustrated in colour, p.57).
J. Verwoert, P. Halley, M. Matsui and J. Burton, Wolfgang Tillmans, London 2014 (another version of (i) illustrated in colour, p. 38; black and white version of (ii) illustrated in colour, p. 55).
Wolfgang Tillmans, exh. cat., Basel, Fondation Beyeler, 2017 (another version of (i) illustrated in colour, pp. 66-67; black and white version of (ii) illustrated in colour, p. 249; another version of (iii) illustrated in colour, p. 27).
Wolfgang Tillmans: 2017, exh. cat., London, Tate Modern 2017, pp. 20-21 (another version of (i) illustrated in colour, p. 21).
Wolfgang Tillmans. Wer Liebe wagt lebt morgen, exh. cat., Wolfsburg, Kunstmuseum Wolfsburg 1996, p. 14 (another version of (i) illustrated in colour, p. 15; installation view of (i) illustrated in colour, p. 142; black and white version of (ii) illustrated in colour, pp. 144-145).
W. Tillmans (ed.), Wolfgang Tillmans: Burg, London 1998 (another version of (i) illustrated in colour, unpaged; installation view illustrated in colour, unpaged).
J. Verwoert, P. Halley and M. Matsui, Wolfgang Tillmans, London 2002, (another version of (i) illustrated in colour, p.38; installation view of (i) illustrated in colour, p. 67; black and white version of (ii) illustrated in colour, p.57).
J. Verwoert, P. Halley, M. Matsui and J. Burton, Wolfgang Tillmans, London 2014 (another version of (i) illustrated in colour, p. 38; black and white version of (ii) illustrated in colour, p. 55).
Wolfgang Tillmans, exh. cat., Basel, Fondation Beyeler, 2017 (another version of (i) illustrated in colour, pp. 66-67; black and white version of (ii) illustrated in colour, p. 249; another version of (iii) illustrated in colour, p. 27).
Wolfgang Tillmans: 2017, exh. cat., London, Tate Modern 2017, pp. 20-21 (another version of (i) illustrated in colour, p. 21).
London, Interim Art/ Maureen Paley, Wolfgang Tillmans, 1993 (another version of (i) exhibited).
Paris, Thaddeus Ropac, June, 1994 (black and white version of (ii) exhibited).
New York, The Museum of Modern Art, New Photography # 12, 1996 (another version of (i) exhibited).
London, Chisenhale Gallery, I Didn't Inhale, 1997 (another version of (i) exhibited).
London, Tate Britain, Wolfgang Tillmans: if one thing matters, everything matters, 2003 (another from the edition of (i) illustrated in colour, p. 41; another from the edition of (ii) illustrated in colour, p. 62; another from the edition of (iii) illustrated in colour, p. 51).
Cambridge, Massachussetts, Fogg Art Museum, Harvard University Art Museums, Wolfgang Tillmans: Still Life, 2002-2003, p. 59 (another from the edition of (i) illustrated in colour, no. 3, p. 23; artist's proof of (ii) illustrated in colour, no. 8, p.28).
Paris, Thaddeus Ropac, June, 1994 (black and white version of (ii) exhibited).
New York, The Museum of Modern Art, New Photography # 12, 1996 (another version of (i) exhibited).
London, Chisenhale Gallery, I Didn't Inhale, 1997 (another version of (i) exhibited).
London, Tate Britain, Wolfgang Tillmans: if one thing matters, everything matters, 2003 (another from the edition of (i) illustrated in colour, p. 41; another from the edition of (ii) illustrated in colour, p. 62; another from the edition of (iii) illustrated in colour, p. 51).
Cambridge, Massachussetts, Fogg Art Museum, Harvard University Art Museums, Wolfgang Tillmans: Still Life, 2002-2003, p. 59 (another from the edition of (i) illustrated in colour, no. 3, p. 23; artist's proof of (ii) illustrated in colour, no. 8, p.28).
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.