WOLFGANG TILLMANS (B. 1968)
拍品 88

WOLFGANG TILLMANS (B. 1968)

(i) Concorde L440 - 2A; (ii) Concorde L433; (iii) Concorde L444 - 9

已结束2020年2月18日

成交价

GBP 35,000

更多信息

WOLFGANG TILLMANS (B. 1968)
(i) Concorde L440 - 2A; (ii) Concorde L433; (iii) Concorde L444 - 9
(i) Concorde L440 - 2A
signed, titled and numbered 'Concorde L440-2A ph 497 pr 698 1/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 12 1/8 x 8 1/8in. (30.8 x 20.6cm.)
sheet: 12 ½ x 8 ½in. (31.7 x 21.6cm.)
Photographed in 1997 and printed in 1998, this work is number one from an edition of ten plus one artist's proof

Another from the edition is in the permanent collection of Tate, London.

(ii) Concorde L433
signed, titled and numbered 'Concorde L433 ph 497 pr 698 2/10 +1 Wolfgang Tillmans' (on the reverse)
c-print
image: 12 1/8 x 8 1/8in. (30.8 x 20.6cm.)
sheet: 12 ½ x 8 ½in. (31.7 x 21.6cm.)
Photographed in 1997 and printed in 1998, this work is number two from an edition of ten plus one artist's proof

Another from the edition is in the permanent collection of Tate, London.

(iii) Concorde L444 - 9
signed, titled and numbered 'Concorde L444-9 ph 497 pr 698' and '3/10 +1' (on the reverse)
c-print
image: 12 1/8 x 8 1/8in. (30.8 x 20.6cm.)
sheet: 12 ½ x 8 ½in. (31.7 x 21.6cm.)
Photographed in 1997 and printed in 1998, this work is number three from an edition of ten plus one artist's proof

Another from the edition is in the permanent collection of Tate, London.

Acquired directly from the artist by the present owner.

专家说明

The subject of multiple essays, the defining piece of his winning Turner Prize exhibition in 2000 and owned by several major institutions, Wolfgang Tillmans’ Concorde series is one of the artist’s most important works. To Tillmans, Concorde represented an ‘environmental nightmare conceived in 1962 when technology and progress was the answer to everything.’  (W. Tillmans, Concorde, Cologne 1997, p.1) Mixing the glamour and excitement of Concorde with its environmental issues, the series looks to focus in on the contradictions between technological utopia and dystopia.

Executed in 1997, the Concorde series has been described by Neville Wakefield as the turning point in the development of Tillmans’ mature style. Photographed from ground level, under the flight path or outside the airport perimeter fence, Tillmans guards the voyeuristic attitude that that threads his work. However, the series marks the artist’s first move away from his earlier youthful images towards the more critical style for which he has since become internationally renowned.