CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
Lot 128

CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)

Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756), three-quarter-length, seated in a blue dress, holding a sprig

Closed29 November 2023

Estimate

GBP 4,000–6,000

More Information

Conditions of Sale
How to sell

CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756), three-quarter-length, seated in a blue dress, holding a sprig
oil on canvas, unlined
49 ½ x 39 ¼ in. (125.8 x 99.6 cm.)
with erroneous identifying inscription 'The Hon.ble Miss Blundell' (lower left)

Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.

(Presumably) by inheritance to the sitter's great-granddaughter,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son, Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and by descent to,
Richard Hill, 7th Baron Sandys (1931-2013), Ombersley Court, Worcestershire.

Specialist note

Mary Chetwynd, daughter of John Chetwynd and his wife Lucy Roane, married Montague, 1st Viscount Blundell (see lot 127) in 1709, with whom she had three daughters and a son. Her brothers, Walter, John and William, each in turn Viscount Chetwynd, were all politicians. Interestingly, a group portrait or ‘conversation piece’ commissioned by Walter from the artist Charles Philips shows Mary and him taking tea at the Earl of Harrington’s London house near St. James’s Palace (Paul Mellon Centre, Yale, inv. no. B1981.25.503). The others in the group almost all belonged to the faction of ‘discontented Whigs’ who had expected to control the government after the accession of King George II, implying that Mary, who is pictured conversing as an equal with those around her, was also sympathetic to the Whig cause.