Live Auction 21052Ombersley Court: The Collection of Lord and Lady Sandys
ENGLISH SCHOOL, MID-17TH CENTURY
Lot 123

ENGLISH SCHOOL, MID-17TH CENTURY

Portrait of Sir Thomas Tipping (1614-1693), three-quarter-length, in armour with a red sash, holding a baton

Closed29 November 2023

Price Realised

GBP 6,048

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ENGLISH SCHOOL, MID-17TH CENTURY
Portrait of Sir Thomas Tipping (1614-1693), three-quarter-length, in armour with a red sash, holding a baton
oil on canvas
48 ¾ x 40 in. (123.7 x 101.8 cm.)
with identifying inscription 'Sr. Tho: Tipping.' (lower right)

Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.

(Presumably) by descent to the sitter's son,
Sir Thomas Tipping, 1st Bt. (1653-1718), and by descent to his daughter,
Letitia Tipping (1699-1779), wife of Samuel Sandys, 1st Baron Sandys (1695-1770), and by descent to their son,
Edwin Sandys, 2nd Baron Sandys (1726-1797), and by inheritance to his niece,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son,
Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and by descent in the family to,
Richard Hill, 7th Baron Sandys (1931-2013), Ombersley Court, Worcestershire.

Specialist note

Sir Thomas Tipping inherited the Wheatfield estate in Oxfordshire following the death of his grandfather in 1626. Just over ten years later he married Elizabeth Beconshaw, heiress of Moyles Court, Hampshire. The couple had sixteen children together, including Thomas Tipping (see lot 98), the father of Letitia Tipping (see lots 97 and 100). Tipping’s politics appear to have been aligned with the Parliamentarians during the civil war, but like many, his allegiances shifted again with the restoration of the monarchy and he was made Knight Bachelor by Charles II in June 1660. A striking portrait in the Tate Gallery, London by Gilbert Soest (inv. no. T04162) was perhaps painted to mark this honour.