JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE)
Lot 28

JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE)

The waterfall at Anitrella, Italy

Closed6 July 2023

Price Realised

GBP 94,500

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JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE)
The waterfall at Anitrella, Italy
signed and inscribed 'Le Anatrelle a / quatro millia distante / del’Isola di Sora Filippo / [Hackert...?]' (lower centre)
oil on canvas
38 1/2 x 32 in. (97.7 x 81.2 cm.)

(Possibly) Auguste von Harrach, Countess of Hohenzollern, Princess of Liegnitz (1800-1873).
T.M. Boyle, London; Sotheby's, London, 8 November 1972, lot 84 (£2,400 to the following).
with Herner Wengraf, London, where acquired by a private collector, by whom consigned in the following sale.
Anonymous sale [Property of a Gentleman]; Sotheby's, London, 17 December 1998, lot 76, when acquired by the present owner.

Specialist note

Born in Germany, Hackert spent most of his life in Italy, working between Rome and Naples, where he established a reputation primarily as a landscapist and enjoyed the patronage of Pope Pius VI, Catherine the Great of Russia, and King Ferdinand IV of Naples. He became a close friend of the great German poet and writer Johann Wolfgang von Goethe, who famously wrote of Hackert’s talents, extolling the painter’s: ‘unglaubliche Meisterschaft, die Natur abzuschreiben’ (‘amazing ability to capture nature’).
Hackert encountered this awe-inspiring scene when journeying through Lazio and the Abruzzi in the Spring of 1793. He had visited Isola di Sora (now Isola di Liri) twenty years earlier, as a signed and dated drawing in the Albertina, Vienna, attests. Anitrella lies to the South West of Isola di Liri. The forty metre high cascade erupts where the river Liri emerges from the foothills of the Abruzzi. Hackert captured the spectacle in a pen and sepia ink drawing now in the Kupferstich-Kabinett, Staatliche Kunstsammlungen, Dresden (fig. 1), which he later worked up into this finished painting back in Naples, enlivening the scene by adding goats grazing in the foreground. When writing to a friend in October 1793, he declared the Anitrella falls: ‘eines der Schönsten Wasserfälle die ich jemahls gezeichnet habe … für die Kunst ganz unbekant, ich bin der Erste gewesen der ihn in dissen Jahrhundert gezeichnet hat‘ (‘one of the most beautiful waterfalls that I have ever drawn … entirely unknown in Art, I was the first to have drawn it in our century’; letter to Graf Dönhoff cited in C. Nordhoff, op. cit., pp. 354-5). Hackert painted another view of the cascade from the other side. While the finished painting of that view is now lost (having formerly been at Potsdam, Marmorpalais), the composition survives in a drawing at Dresden (ibid., painting - p. 115-6, no. 242; drawing – pp. 354-5, no. 867).