Hamed Nada (Egyptian, 1924-1990)

Enthralling the spectator in a strong and silent composition, Hamed Nada sought to demonstrate a reality which is especially sensitive. This piece is an exceptional example that testifies the singularity of the artist. “Salient among the features of artist Hamed Nada’s output is this extreme freedom which rules his creativity. It is a freedom,” wrote Farouk Basyouni in Al Jadeeda Magazine in October 1977. The painting offers a rich palette and dynamic movements through an extraordinary mode of expression. Through tribal symbols and deeply contrasted colors, Nada transports the viewer through a stimulating atmosphere.

The Syrian artist Elias Zayat describes this work as a masterpiece by Nada depicting ‘a complex composition between two women darkness and lightness with one of them in white clothing taking care of her young boy. I recall this nice exhibition that took place during the time of the union that didn’t last between Egypt and Syria, and this emphasizes the role of Nada painting the Egyptian identity.' (In conversation with Hala Khayat, November 2017)