HOWARD HODGKIN (1932-2017)
Books for the Paris Review
lift-ground etching and aquatint with carborundum in colours and extensive hand-colouring, 1997-99, on Two Rivers wove paper, initialled, dated 99 and inscribed PP 2⁄5 in pencil, a printer's proof aside from the edition of one hundred (there were also twenty artist's proofs), published by The Paris Review, New York, 1998, printed and hand-coloured by Jack Shirreff at the 107 Workshop
Image & Sheet 378 x 424 mm.
HOWARD HODGKIN (1932-2017)
Books for the Paris Review
lift-ground etching and aquatint with carborundum in colours and extensive hand-colouring, 1997-99, on Two Rivers wove paper, initialled, dated 99 and inscribed PP 2⁄5 in pencil, a printer's proof aside from the edition of one hundred (there were also twenty artist's proofs), published by The Paris Review, New York, 1998, printed and hand-coloured by Jack Shirreff at the 107 Workshop
Image & Sheet 378 x 424 mm.
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