A VICTORIAN ORMOLU-MOUNTED BURR WALNUT, THUYA, AMARANTH, AND SYCAMORE MARQUETRY CREDENZA
Lot 298 PROPERTY OF A LADY

A VICTORIAN ORMOLU-MOUNTED BURR WALNUT, THUYA, AMARANTH, AND SYCAMORE MARQUETRY CREDENZA

ATTRIBUTED TO HOLLAND & SONS, SUPPLIED BY COWTON & CO., LONDON, CIRCA 1865

Closed12 November 2020

Price Realised

GBP 13,750

More Information

How to sell

A VICTORIAN ORMOLU-MOUNTED BURR WALNUT, THUYA, AMARANTH, AND SYCAMORE MARQUETRY CREDENZA
ATTRIBUTED TO HOLLAND & SONS, SUPPLIED BY COWTON & CO., LONDON, CIRCA 1865
The breakfront D-shaped top above tapering pilasters headed by ram's heads and flanking a pair of central doors enclosing one shelf lined in green velvet and sided by two convex doors each enclosing two shelves similarly lined, with shaped frieze and on four toupie feet
51 ½ in. (131 cm.) high; 84 ½ in. (214.5 cm.) wide; 27 ½ in. (70 cm.) deep

Whitbourne Hall, Worcester, circa 1865.
Important Sale of the Principal Contents of the Drawing Room of Whitbourne Hall, Worcester: Russel, Baldwin & Bright Fine Art, Hereford, 5 September 1991, lot 1019.

Specialist note


Built in 1860-1862 by Edward Bickerton Evans to the design of E.W. Elmslie, Whitbourne Hall has been described as a “remarkable High Victorian statement of the Greek Revival” (S. Jervis, ‘Whitbourne Hall, Herefordshire: Home of Mr and Mrs Edward Evans’, Country Life, 20 March 1975, p. 701). This was due in large part to the interior decoration, which was supplied by the painter, decorators, and upholstered Cowtan & Co., with surviving bills dating from 1866 and 1872. As the firm did not produce furniture themselves, it is believed that this work was sub-contracted and supplied by the well-established Holland & Sons.
Typical of the historical revivalist trends of the mid-nineteenth century, the overarching scheme of the house was not only Grecian, but specifically ‘Adam revival’ with particularly attention paid to the library and drawing room in this taste. The present credenza was originally a part of the drawing room en suite with several other commissioned works including an oval centre table, an occasional table, a sofa table, and a writing table, all designed with ram’s head monopods. The drawing room furniture remained largely in situ until the sale of its contents in 1991.