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Lot 898
Louise Lawler (b. 1947)
Salon Hodler
Closed14 November 2019
Price Realised
USD 100,000
More Information
Louise Lawler (b. 1947)
Salon Hodler
signed, numbered and dated 'Louise A. Lawler 3/5 1992/93' (on the backing board)
Cibachrome print
49 ¼ x 59 ½ in. (125.1 x 151.1 cm.)
Photographed in 1992 and printed in 1993. This work is number three from an edition of five plus one artist's proof.
Salon Hodler
signed, numbered and dated 'Louise A. Lawler 3/5 1992/93' (on the backing board)
Cibachrome print
49 ¼ x 59 ½ in. (125.1 x 151.1 cm.)
Photographed in 1992 and printed in 1993. This work is number three from an edition of five plus one artist's proof.
Louise Lawler (b. 1947)
Salon Hodler
signed, numbered and dated 'Louise A. Lawler 3/5 1992/93' (on the backing board)
Cibachrome print
49 ¼ x 59 ½ in. (125.1 x 151.1 cm.)
Photographed in 1992 and printed in 1993. This work is number three from an edition of five plus one artist's proof.
Salon Hodler
signed, numbered and dated 'Louise A. Lawler 3/5 1992/93' (on the backing board)
Cibachrome print
49 ¼ x 59 ½ in. (125.1 x 151.1 cm.)
Photographed in 1992 and printed in 1993. This work is number three from an edition of five plus one artist's proof.
Metro Pictures, New York
Galleria Klemens Gasser, Bolzano
Acquired from the above by the present owner
Galleria Klemens Gasser, Bolzano
Acquired from the above by the present owner
Bulletin of the Whitney Museum of American Art, New York, 1995, p. 57.
E. Janus and M. Lambert, Veronica's Revenge: Contemporary Perspectives on Photography, Germany, 1998, p. 187 (illustrated).
H. Kremers, "Veronika in Fesseln," Lutherische Monatshefte, Vol. 37, January 1998, p. 19 (illustrated).
R. Krauss, Bachelors, Boston, 2000, pp. 196-197.
I. Graw, P. Kaiser, A. Fraser, B. Pelzer, J. Bankowsky and G. Baker, eds., Louise Lawler and Others, Berlin, 2004, pp. 12 and 130 (illustrated).
D. Imhof, "Louise Lawler and Others," Kunstforum International, Vol. 171, July-August 2004, p. 393 (illustrated).
M. D. Alexander, C. Harrison and R. Storr, eds., Slideshow, Pennsylvania, 2005, pp. 114-115 (illustrated).
Twice Untitled and Other Pictures (looking back), exh. cat., Columbus, Wexner Center for the Arts, 2006, pp. 64-65 (illustrated).
D. Miller, ed., Whitney Museum of American Art: Handbook of the Collection, New York, 2015, p. 220 (illustrated).
E. Janus and M. Lambert, Veronica's Revenge: Contemporary Perspectives on Photography, Germany, 1998, p. 187 (illustrated).
H. Kremers, "Veronika in Fesseln," Lutherische Monatshefte, Vol. 37, January 1998, p. 19 (illustrated).
R. Krauss, Bachelors, Boston, 2000, pp. 196-197.
I. Graw, P. Kaiser, A. Fraser, B. Pelzer, J. Bankowsky and G. Baker, eds., Louise Lawler and Others, Berlin, 2004, pp. 12 and 130 (illustrated).
D. Imhof, "Louise Lawler and Others," Kunstforum International, Vol. 171, July-August 2004, p. 393 (illustrated).
M. D. Alexander, C. Harrison and R. Storr, eds., Slideshow, Pennsylvania, 2005, pp. 114-115 (illustrated).
Twice Untitled and Other Pictures (looking back), exh. cat., Columbus, Wexner Center for the Arts, 2006, pp. 64-65 (illustrated).
D. Miller, ed., Whitney Museum of American Art: Handbook of the Collection, New York, 2015, p. 220 (illustrated).
Barcelona, Museu de la Fundació Antoni Tàpies, Els límits del museu, March-June 1995, pp. 49 and 209 (illustrated).
New York, Whitney Museum of American Art, Full House: Views of the Whitney's Collection at 75, June-September 2006 (another example exhibited).
Columbus, Wexner Center for the Arts, Twice Untitled and Other Pictures, September-December 2006.
New York, Museum of Modern Art, Louise Lawler: WHY PICTURES NOW, April-July 2017, p. 147 (another example exhibited and illustrated).
New York, Whitney Museum of American Art, Full House: Views of the Whitney's Collection at 75, June-September 2006 (another example exhibited).
Columbus, Wexner Center for the Arts, Twice Untitled and Other Pictures, September-December 2006.
New York, Museum of Modern Art, Louise Lawler: WHY PICTURES NOW, April-July 2017, p. 147 (another example exhibited and illustrated).