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Lot 144 |PROPERTY FROM A PRIVATE AMERICAN COLLECTION
ADRIAEN JANSZ. VAN OSTADE (1610-1685)
The Breakfast
Closed14 December 2017
Price Realised
GBP 1,625
More Information
ADRIAEN JANSZ. VAN OSTADE (1610-1685)
The Breakfast
etching, circa 1664, on laid paper, watermark Fool's Cap with seven-pointed Collar, a good impression of the rare eighth state (of twelve), printing with a light plate tone, with margins, a skilfully repaired tear at upper centre, otherwise in good condition; together with The two Gossips (G. 40), by the same hand, etching, circa 1642, on laid paper, without watermark, a good impression of the second state (of five), trimmed to the borderline, a tiny paper loss and a short tear at the upper sheet edge at right, otherwise in good condition; with The Spectacle Seller (G. 29), by the same hand, etching, circa 1646, sixth, final state, all framed
Plate 219 x 259 mm., Sheet 233 x 268 mm. (and smaller)
(3)
The Breakfast
etching, circa 1664, on laid paper, watermark Fool's Cap with seven-pointed Collar, a good impression of the rare eighth state (of twelve), printing with a light plate tone, with margins, a skilfully repaired tear at upper centre, otherwise in good condition; together with The two Gossips (G. 40), by the same hand, etching, circa 1642, on laid paper, without watermark, a good impression of the second state (of five), trimmed to the borderline, a tiny paper loss and a short tear at the upper sheet edge at right, otherwise in good condition; with The Spectacle Seller (G. 29), by the same hand, etching, circa 1646, sixth, final state, all framed
Plate 219 x 259 mm., Sheet 233 x 268 mm. (and smaller)
(3)
ADRIAEN JANSZ. VAN OSTADE (1610-1685)
The Breakfast
etching, circa 1664, on laid paper, watermark Fool's Cap with seven-pointed Collar, a good impression of the rare eighth state (of twelve), printing with a light plate tone, with margins, a skilfully repaired tear at upper centre, otherwise in good condition; together with The two Gossips (G. 40), by the same hand, etching, circa 1642, on laid paper, without watermark, a good impression of the second state (of five), trimmed to the borderline, a tiny paper loss and a short tear at the upper sheet edge at right, otherwise in good condition; with The Spectacle Seller (G. 29), by the same hand, etching, circa 1646, sixth, final state, all framed
Plate 219 x 259 mm., Sheet 233 x 268 mm. (and smaller)
(3)
The Breakfast
etching, circa 1664, on laid paper, watermark Fool's Cap with seven-pointed Collar, a good impression of the rare eighth state (of twelve), printing with a light plate tone, with margins, a skilfully repaired tear at upper centre, otherwise in good condition; together with The two Gossips (G. 40), by the same hand, etching, circa 1642, on laid paper, without watermark, a good impression of the second state (of five), trimmed to the borderline, a tiny paper loss and a short tear at the upper sheet edge at right, otherwise in good condition; with The Spectacle Seller (G. 29), by the same hand, etching, circa 1646, sixth, final state, all framed
Plate 219 x 259 mm., Sheet 233 x 268 mm. (and smaller)
(3)
William Esdaile (1758-1837), London (Lugt 2617); possibly his posthumous sale, Christie's, London, 11-16 June 1840, lot 425 (as part of a portfolio) (£159.12s). (G. 50)
Museum of Fine Arts, Boston (Lugt 282), numbered in black ink 2923 and with their duplicate stamp (not in Lugt). (G. 29)
Museum of Fine Arts, Boston (Lugt 282), numbered in black ink 2923 and with their duplicate stamp (not in Lugt). (G. 29)
Bartsch, Hollstein, Godefroy 50, 40, 29
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.