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Lot 162 |The Collection of Robert and Sylvia Olnick
Cindy Sherman (b. 1954)
Untitled Film Still #47
Closed16 November 2016
Price Realised
USD 150,000
More Information
Cindy Sherman (b. 1954)
Untitled Film Still #47
signed, titled, numbered and dated 'Cindy Sherman 1979 10/10 #47' (on the reverse)
gelatin silver print
8 x 10 in. (20.3 x 25.4 cm.)
Executed in 1979. This work is number ten from an edition of ten.
Untitled Film Still #47
signed, titled, numbered and dated 'Cindy Sherman 1979 10/10 #47' (on the reverse)
gelatin silver print
8 x 10 in. (20.3 x 25.4 cm.)
Executed in 1979. This work is number ten from an edition of ten.
Cindy Sherman (b. 1954)
Untitled Film Still #47
signed, titled, numbered and dated 'Cindy Sherman 1979 10/10 #47' (on the reverse)
gelatin silver print
8 x 10 in. (20.3 x 25.4 cm.)
Executed in 1979. This work is number ten from an edition of ten.
Untitled Film Still #47
signed, titled, numbered and dated 'Cindy Sherman 1979 10/10 #47' (on the reverse)
gelatin silver print
8 x 10 in. (20.3 x 25.4 cm.)
Executed in 1979. This work is number ten from an edition of ten.
Metro Pictures, New York
Acquired from the above by the present owner, 2007
Acquired from the above by the present owner, 2007
P. Schjeldahl and I.M. Danoff, Cindy Sherman, New York, 1984, no. 29 (another example illustrated).
A.C. Danto, Cindy Sherman Untitled Film Stills, New York, 1990, pp. 78-79 (another example illustrated).
E. Jelinek, "Sidelines," Parkett No. 29, 1991, p. 86 (another example illustrated).
R. Krauss and N. Bryson, Cindy Sherman: 1975-1993, New York, 1993, pp. 46-47 and 226 (another example illustrated).
W. Dickhoff, Cindy Sherman, Cologne, 1995, p. 18 (another example illustrated).
D. Frankel, ed., Cindy Sherman: The Complete Untitled Film Stills, New York, 2003, pp. 62-63 and 159 (another example illustrated).
A.C. Danto, Cindy Sherman Untitled Film Stills, New York, 1990, pp. 78-79 (another example illustrated).
E. Jelinek, "Sidelines," Parkett No. 29, 1991, p. 86 (another example illustrated).
R. Krauss and N. Bryson, Cindy Sherman: 1975-1993, New York, 1993, pp. 46-47 and 226 (another example illustrated).
W. Dickhoff, Cindy Sherman, Cologne, 1995, p. 18 (another example illustrated).
D. Frankel, ed., Cindy Sherman: The Complete Untitled Film Stills, New York, 2003, pp. 62-63 and 159 (another example illustrated).
New York, Whitney Museum of Art, Cindy Sherman, July-October 1987, pl. 29 (another example exhibited and illustrated).
Kunsthalle Basel; Munich, Staatsgalerie Moderne Kunst and London, Whitechapel Art Gallery, Cindy Sherman, March-September 1991, p. 23 (another example exhibited and illustrated).
Munich, Sammlung Goetz, Jürgen Klauke - Cindy Sherman, September 1994-March 1995, pp. 45 and 77 (another example exhibited and illustrated).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman - Film Stills, March-June 1995, no. 47 (another example exhibited and illustrated).
São Paulo, Museu de Arte Moderna, Cindy Sherman: The Self Which Is Not One, June-July 1995, n.p. (another example exhibited and illustrated).
Shiga, Museum of Modern Art; MIMOCA Marugame Genichiro-Inokuma Museum of Contemporary Art and Tokyo, Museum of Contemporary Art, Cindy Sherman, July-December 1996, p. 77, pl. 26 (another example exhibited and illustrated).
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June-September 1997 (another example exhibited).
Los Angeles, Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; Bordeaux, Musée d'Art Contemporain; Sydney, Museum of Contemporary and Toronto, Art Gallery of Ontario, Cindy Sherman: Retrospective, November 1997-January 2000, pp. 81 and 197 (another example exhibited and illustrated).
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art, and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, pp. 34, 58, 243 and 287 (another example exhibited and illustrated).
Huntington, New York, Heckscher Museum of Art, Long Island Moderns: Artists on the North Shore from Edward Steichen to Cindy Sherman, October 2009-January 2010, pp. 48 and 58, no. 33 (another example exhibited and illustrated).
Salzburg, Museum der Moderne, Rollenbilder - Rollenspiele, July-October 2011 (another example exhibited).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center and Dallas Museum of Art, Cindy Sherman, February 2012-June 2013, pp. 98 and 242, pl. 22 (another example exhibited and illustrated).
Paris, Galerie Crèvecoeur, There is nothing personal of yours to exhibit, May-July 2014 (another example exhibited).
Munich, Sammlung Goetz, Cindy Sherman, January-July 2015, pp. 55 and 136-137 (another example exhibited and illustrated).
Los Angeles, Broad Museum, Cindy Sherman: Imitation of Life, June-October 2016 , pp. 43 and 153, no. 29 (another example exhibited and illustrated).
Kunsthalle Basel; Munich, Staatsgalerie Moderne Kunst and London, Whitechapel Art Gallery, Cindy Sherman, March-September 1991, p. 23 (another example exhibited and illustrated).
Munich, Sammlung Goetz, Jürgen Klauke - Cindy Sherman, September 1994-March 1995, pp. 45 and 77 (another example exhibited and illustrated).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman - Film Stills, March-June 1995, no. 47 (another example exhibited and illustrated).
São Paulo, Museu de Arte Moderna, Cindy Sherman: The Self Which Is Not One, June-July 1995, n.p. (another example exhibited and illustrated).
Shiga, Museum of Modern Art; MIMOCA Marugame Genichiro-Inokuma Museum of Contemporary Art and Tokyo, Museum of Contemporary Art, Cindy Sherman, July-December 1996, p. 77, pl. 26 (another example exhibited and illustrated).
New York, Museum of Modern Art, Cindy Sherman: The Complete Untitled Film Stills, June-September 1997 (another example exhibited).
Los Angeles, Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; Bordeaux, Musée d'Art Contemporain; Sydney, Museum of Contemporary and Toronto, Art Gallery of Ontario, Cindy Sherman: Retrospective, November 1997-January 2000, pp. 81 and 197 (another example exhibited and illustrated).
Paris, Jeu de Paume; Bregenz, Kunsthaus Bregenz; Humlebæk, Louisiana Museum of Modern Art, and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, pp. 34, 58, 243 and 287 (another example exhibited and illustrated).
Huntington, New York, Heckscher Museum of Art, Long Island Moderns: Artists on the North Shore from Edward Steichen to Cindy Sherman, October 2009-January 2010, pp. 48 and 58, no. 33 (another example exhibited and illustrated).
Salzburg, Museum der Moderne, Rollenbilder - Rollenspiele, July-October 2011 (another example exhibited).
New York, Museum of Modern Art; San Francisco Museum of Modern Art; Minneapolis, Walker Art Center and Dallas Museum of Art, Cindy Sherman, February 2012-June 2013, pp. 98 and 242, pl. 22 (another example exhibited and illustrated).
Paris, Galerie Crèvecoeur, There is nothing personal of yours to exhibit, May-July 2014 (another example exhibited).
Munich, Sammlung Goetz, Cindy Sherman, January-July 2015, pp. 55 and 136-137 (another example exhibited and illustrated).
Los Angeles, Broad Museum, Cindy Sherman: Imitation of Life, June-October 2016 , pp. 43 and 153, no. 29 (another example exhibited and illustrated).
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.