Thomas de Keyser (?Amsterdam 1596/7-1667)
Lot 31 PROPERTY FROM THE HASCOE FAMILY COLLECTION

Thomas de Keyser (?Amsterdam 1596/7-1667)

Portrait of a family, probably in the guise of the Family of Tobias, full-length, in a landscape

Closed4 June 2014

Price Realised

USD 56,250

More Information

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Thomas de Keyser (?Amsterdam 1596/7-1667)
Portrait of a family, probably in the guise of the Family of Tobias, full-length, in a landscape
signed with the artist's monogram and indistinctly dated 'TDK ****' (lower right)
oil on panel
19 3/8 x 30¼ in. (49.2 x 76.8 cm.)

Dir. Roos, Brussels.
Haasmann, The Hague.
with Jacques Goudstikker, Amsterdam, by 1917 (inv. No. 2024);
Confiscated by the Nazi authorities, July 13, 1940;
Transferred to the Sonderauftrag Linz, by 1941 (Linz no. 1209);
Recovered by the Monuments Fine Arts and Archives Section from the Alt Ausee salt mines (Alt Aussee no. 5302),
and transferred to the Munich Central Collecting Point on October 18, 1945 (MCCP no. 10086);
Repatriated to the Stichting Nederlands Kunst Bezit, The Hague, November 20, 1945 (NK1494);
Restituted to the heir of Jacques Goudstikker, February 2006;
Christie's, New York, 19 April 2007, lot 30, acquired after the sale by the Hascoe family.

Specialist note

According to the apocryphal story of his father Tobit, Tobias left home in search of a man who owed his dying father money. His hired companion, the Archangel Gabriel in disguise, leads Tobias to marry the pious Sara, who had previously suffered the loss of seven husbands to an evil curse. Following divine instruction, Gabriel also leads Tobias to recover the money stolen from his family, as well as to a cure for his father's blindness, both rewards for Tobit's piety. Tobias' parents, who had feared their son dead, are elated on his return, and overjoyed when he presents them both with the healing ointment he has discovered and the inheritance he has retrieved. When they attempt to share the riches with their son's mysterious companion, the Archangel reveals himself, and the family members fall to their knees in prayer.
This exceptional group portrait shows the moment just after this revelation, as Tobit, newly gifted with sight, his arms outspread in welcome, looks expectantly towards the arrival of his new daughter-in-law Sara. The central figure--whose wings identify him as the Archangel Gabriel--looks out boldly to meet the viewer's gaze, and may well have been responsible for the painting's commission, perhaps due to some connection his or his wife's name had to the story of Tobit. The work could also have been a highly unconventional marriage portrait. In either case, it belongs to the group of innovative, small-scale group portraits De Keyser painted in the early 1630s.