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拍品 56
RAFAEL GÓMEZBARROS (B. 1972)
Casa Tomada (House Taken Over)
已結束2024年3月12日
成交價
GBP 6,048
更多資訊
RAFAEL GÓMEZBARROS (B. 1972)
Gómezbarros, R.
Casa Tomada (House Taken Over)
resin, fiberglass, wood, screen cotton, rope and Cerrejón coal, in five parts
smallest: 6 7/8 x 20 1/8 x 21 ¼in. (17.5 x 51 x 54cm.)
largest: 7 1/8 x 35 x 19 ¾in. (18 x 89 x 50cm.)
installation dimensions variable
Executed in 2013
Gómezbarros, R.
Casa Tomada (House Taken Over)
resin, fiberglass, wood, screen cotton, rope and Cerrejón coal, in five parts
smallest: 6 7/8 x 20 1/8 x 21 ¼in. (17.5 x 51 x 54cm.)
largest: 7 1/8 x 35 x 19 ¾in. (18 x 89 x 50cm.)
installation dimensions variable
Executed in 2013
RAFAEL GÓMEZBARROS (B. 1972)
Gómezbarros, R.
Casa Tomada (House Taken Over)
resin, fiberglass, wood, screen cotton, rope and Cerrejón coal, in five parts
smallest: 6 7/8 x 20 1/8 x 21 ¼in. (17.5 x 51 x 54cm.)
largest: 7 1/8 x 35 x 19 ¾in. (18 x 89 x 50cm.)
installation dimensions variable
Executed in 2013
Gómezbarros, R.
Casa Tomada (House Taken Over)
resin, fiberglass, wood, screen cotton, rope and Cerrejón coal, in five parts
smallest: 6 7/8 x 20 1/8 x 21 ¼in. (17.5 x 51 x 54cm.)
largest: 7 1/8 x 35 x 19 ¾in. (18 x 89 x 50cm.)
installation dimensions variable
Executed in 2013
Private Collection, UK (acquired directly from the artist by the present owner in 2013).
Santa Marta, Altar de la Patria, Casa Tomada, 2008 (another example exhibited).
Barranquilla, Aduana, Casa Tomada, 2008 (another example exhibited).
Bogota, Galeria Alonso Garces, Casa Tomada, 2009 (another example exhibited).
Bogota, Capitolio Nacional de Colombia, Casa Tomada, 2010 (another example exhibited).
Santo Domingo, Museo de Arte Moderno, Trienal del Caribe, 2010 (another example exhibited).
Havana, Teatro Fausto, 11th Havana Biennial, 2012 (another example exhibited).
Linz, OK Offenes Kulturhaus, Biennale Couvee 13, 2013 (another example exhibited).
London, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014, p. 47 (another from edition, various installation views illustrated in colour, pp. 48-53).
London, Saatchi Gallery, DEAD: A Celebration of Mortality, 2015 (another example exhibited).
Manchester, The Lowry Centre, Casa Tomada, 2015 (another example exhibited).
Knislinge, Wanas Konst Foundation, 2016 (another example exhibited).
Watou, Kunstenfestival Watou, 2016 (another example exhibited).
New York, Paul Kasmin Gallery, Naturalia, 2017 (another example exhibited).
Gangwon, Gangwon International Biennial, 2018 (another example exhibited).
Istanbul, Sevil Dolmaci Gallery, We Forget to Think We Are Born, 2019 (another example exhibited).
Barranquilla, Aduana, Casa Tomada, 2008 (another example exhibited).
Bogota, Galeria Alonso Garces, Casa Tomada, 2009 (another example exhibited).
Bogota, Capitolio Nacional de Colombia, Casa Tomada, 2010 (another example exhibited).
Santo Domingo, Museo de Arte Moderno, Trienal del Caribe, 2010 (another example exhibited).
Havana, Teatro Fausto, 11th Havana Biennial, 2012 (another example exhibited).
Linz, OK Offenes Kulturhaus, Biennale Couvee 13, 2013 (another example exhibited).
London, Saatchi Gallery, Pangaea: New Art from Africa and Latin America, 2014, p. 47 (another from edition, various installation views illustrated in colour, pp. 48-53).
London, Saatchi Gallery, DEAD: A Celebration of Mortality, 2015 (another example exhibited).
Manchester, The Lowry Centre, Casa Tomada, 2015 (another example exhibited).
Knislinge, Wanas Konst Foundation, 2016 (another example exhibited).
Watou, Kunstenfestival Watou, 2016 (another example exhibited).
New York, Paul Kasmin Gallery, Naturalia, 2017 (another example exhibited).
Gangwon, Gangwon International Biennial, 2018 (another example exhibited).
Istanbul, Sevil Dolmaci Gallery, We Forget to Think We Are Born, 2019 (another example exhibited).