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拍品 186
MANNER OF FRANCISCO JOSÉ DE GOYA Y LUCIENTES
Portrait of a lady, three-quarter length, in an interior
已結束2024年1月31日
成交價
USD 17,640
更多資訊
MANNER OF FRANCISCO JOSÉ DE GOYA Y LUCIENTES
Portrait of a lady, three-quarter length, in an interior
with signature and date 'F. Goya 1817' (lower left)
oil on canvas
41 3⁄8 x 33 3⁄8 in. (105 x 84.8 cm.)
Portrait of a lady, three-quarter length, in an interior
with signature and date 'F. Goya 1817' (lower left)
oil on canvas
41 3⁄8 x 33 3⁄8 in. (105 x 84.8 cm.)
MANNER OF FRANCISCO JOSÉ DE GOYA Y LUCIENTES
Portrait of a lady, three-quarter length, in an interior
with signature and date 'F. Goya 1817' (lower left)
oil on canvas
41 3⁄8 x 33 3⁄8 in. (105 x 84.8 cm.)
Portrait of a lady, three-quarter length, in an interior
with signature and date 'F. Goya 1817' (lower left)
oil on canvas
41 3⁄8 x 33 3⁄8 in. (105 x 84.8 cm.)
Condesa de Gomar and Marchesa de Villabragina, Madrid.
Gómez-Acebo collection.
Francisco Raab.
Gaetano Miani, São Paulo, by 1961.
Anonymous sale; Christie's, New York, 28 January 2009, lot 300 ($62,500).
with Ugo de Pace, São Paulo, until 2011, where acquired by the present owner.
Gómez-Acebo collection.
Francisco Raab.
Gaetano Miani, São Paulo, by 1961.
Anonymous sale; Christie's, New York, 28 January 2009, lot 300 ($62,500).
with Ugo de Pace, São Paulo, until 2011, where acquired by the present owner.
A. de Beruete y Moret, Goya, pintor de ritratos, Madrid, 1916, p. 177, no. 188, as Francisco Goya.
A.L. Mayer, Francisco de Goya, Munich, 1923, pp. 207, no. 512, 141, fig. 233, as Signed F. Goya, 1817, Probably not genuine.
A.L. Mayer, Francisco de Goya, London and Toronto, 1924, p. 172, no. 512, pl. 233, as Francisco Goya.
X. Desparmet Fitz-Gerald, L'Oeuvre Peint de Goya, II, Paris, 1928-1950, p. 217, no. 506, pl. 420, as Francisco Goya, Portrait de Femme inconnue.
M.S. Soria, 'Augustín Esteve and Goya,' Art Bulletin, XXV, no. 3, September 1943, p. 264, no. 67, as Augustín Esteve.
E. Lafuente Ferrari, Antecedentes, coincidencias e influencias del arte de Goya, Madrid, 1947, p. 171, as Augustín Esteve.
M.S. Soria, Augustín Esteve y Goya, Valencia, 1957, pp. 28, 140, no. 159, as Augustín Esteve, Unknown Lady of the House of Gomar.
J. Gudiol, Goya 1746-1828, Paris, 1971, I, pp. 173, 326, no. 651, IV, fig. 1059, as Francisco Goya, Retrato no identificado.
P. Guinard et al, Tout l'oeuvre peint de Goya, Paris, 1976, p. 132, no. 608, illustrated, as Francisco Goya, Portrait d'une inconnu.
A.L. Mayer, Francisco de Goya, Munich, 1923, pp. 207, no. 512, 141, fig. 233, as Signed F. Goya, 1817, Probably not genuine.
A.L. Mayer, Francisco de Goya, London and Toronto, 1924, p. 172, no. 512, pl. 233, as Francisco Goya.
X. Desparmet Fitz-Gerald, L'Oeuvre Peint de Goya, II, Paris, 1928-1950, p. 217, no. 506, pl. 420, as Francisco Goya, Portrait de Femme inconnue.
M.S. Soria, 'Augustín Esteve and Goya,' Art Bulletin, XXV, no. 3, September 1943, p. 264, no. 67, as Augustín Esteve.
E. Lafuente Ferrari, Antecedentes, coincidencias e influencias del arte de Goya, Madrid, 1947, p. 171, as Augustín Esteve.
M.S. Soria, Augustín Esteve y Goya, Valencia, 1957, pp. 28, 140, no. 159, as Augustín Esteve, Unknown Lady of the House of Gomar.
J. Gudiol, Goya 1746-1828, Paris, 1971, I, pp. 173, 326, no. 651, IV, fig. 1059, as Francisco Goya, Retrato no identificado.
P. Guinard et al, Tout l'oeuvre peint de Goya, Paris, 1976, p. 132, no. 608, illustrated, as Francisco Goya, Portrait d'une inconnu.