A GEORGE III SILVER-GILT TOILET CASKET
拍品 68

A GEORGE III SILVER-GILT TOILET CASKET

MARK OF DANIEL SMITH AND ROBERT SHARP, LONDON, 1777

已結束2023年7月7日

估價

GBP 20,000–30,000

更多資訊

A GEORGE III SILVER-GILT TOILET CASKET
MARK OF DANIEL SMITH AND ROBERT SHARP, LONDON, 1777
Shaped oblong applied around the foot-rim with a frieze of leaves below ribbon-tied laurel garlands hung from ram's masks, the hinged cover embossed and chased on the raised centre with the scene of the Marriage of Cupid and Psyche after Tassie, framed by a laurel wreath and within ribbon-tied laurel garlands, the rim chased with a band of foliate scrolls and rosettes on matted ground and applied with a beaded border, marked underneath and in cover, and with later scratch mark underneath
11 3/4 in. (30 cm.) wide; 9 1/2 in. (24 cm.) deep
72 oz. 8 dwt. (2,253 gr.)

With Daniel Packer, London, 29 December 2004.

專家說明


THE MARRIAGE OF CUPID AND PSYCHE
The scene depicted in the oval cartouche on the cover of the casket is taken from an ancient Roman cameo, the centerpiece of the renowned Marlborough Gems, a collection inherited in 1762 and expanded by George Spencer, 4th Duke of Marlborough (1739-1817). The Marriage of Cupid and Psyche cameo is traditionally thought to date from between the 1st century B.C. or the early 1st century A.D., although it has been suggested it could be the work of a Renaissance hand. Since 1889 it has been in the collection of the Museum of Fine Arts Boston, having been sold by the 7th Duke of Marlborough at Christie's in 1875. It was once the gift of the artist and diplomat Peter Paul Rubens to Thomas Howard, 21st Earl of Arundel.

The scene was much copied in the latter part of the 18th century. It was painted by Giovanni Battista Cipriani, engraved by Francesco Bartolozzi and James Tassie reproduced it as a medallion cast in opaque coloured glass. William Hackwood reproduced a low relief plaque from Tassie's cast for the porcelain manufacturer Josiah Wedgwood and the sculptor John Flaxman modeled a larger version, both versions appearing in Wedgwood's 1779 catalogue.