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拍品 100
EUGÈNE-LOUIS LAMI (PARIS 1800-1890)
An elegant couple resting in a wooded landscape
已結束2023年6月8日
成交價
GBP 1,890
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EUGÈNE-LOUIS LAMI (PARIS 1800-1890)
An elegant couple resting in a wooded landscape
signed and dated 'Eugène LAMI 1855' (lower left)
graphite, watercolour, heightened with white on cardboard
51/2 x 61/2 in. (13.7 x 16.5 cm.)
An elegant couple resting in a wooded landscape
signed and dated 'Eugène LAMI 1855' (lower left)
graphite, watercolour, heightened with white on cardboard
51/2 x 61/2 in. (13.7 x 16.5 cm.)
EUGÈNE-LOUIS LAMI (PARIS 1800-1890)
An elegant couple resting in a wooded landscape
signed and dated 'Eugène LAMI 1855' (lower left)
graphite, watercolour, heightened with white on cardboard
51/2 x 61/2 in. (13.7 x 16.5 cm.)
An elegant couple resting in a wooded landscape
signed and dated 'Eugène LAMI 1855' (lower left)
graphite, watercolour, heightened with white on cardboard
51/2 x 61/2 in. (13.7 x 16.5 cm.)
Robert Charlier, Paris.
Charles-Fortunat-Paul Casimir-Périer (1812-1897), Paris; sold Paris, 26 April 1898, lot 33.
Emile Laffon (1868-1931), Paris (cf. L. 877a); sold Zurich, Savoy-Hotel, 7-8 April 1938, lot 64.
with Galerie Dina Vierny, Paris (Cent aquarelles du XIXe siècle; according to a label on the reverse).
Anonymous sale; Christie's, London, 24 November 1988, lot 11.
Charles-Fortunat-Paul Casimir-Périer (1812-1897), Paris; sold Paris, 26 April 1898, lot 33.
Emile Laffon (1868-1931), Paris (cf. L. 877a); sold Zurich, Savoy-Hotel, 7-8 April 1938, lot 64.
with Galerie Dina Vierny, Paris (Cent aquarelles du XIXe siècle; according to a label on the reverse).
Anonymous sale; Christie's, London, 24 November 1988, lot 11.
P.-A. Lemoisne, L'Œuvre d'Eugène Lami (1800-1890). Lithographies, dessins, aquarelles, peintures. Essai d'un catalogue raisonné, Paris, 1914, no. 787.
E. Lambert, ‘English Manners, Robin and Rupert Hambro’s Country House in the Heart of London’, Architectural Digest, March 1995, p. 122.
E. Lambert, ‘English Manners, Robin and Rupert Hambro’s Country House in the Heart of London’, Architectural Digest, March 1995, p. 122.