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拍品 108
TRACEY EMIN (B. 1963)
Outside Myself (Monument Valley)
已結束2023年4月25日
成交價
EUR 16,380
更多資訊
TRACEY EMIN (B. 1963)
Outside Myself (Monument Valley)
signed, titled and dated 'Tracey Emin Outside Myself Monument Valley 1994' (on the reverse)
colour photograph
image: 39 x 59.5cm.
sheet: 51 x 60cm.
Executed in 1994, this work is number four from an edition of ten plus three artist's proofs
Outside Myself (Monument Valley)
signed, titled and dated 'Tracey Emin Outside Myself Monument Valley 1994' (on the reverse)
colour photograph
image: 39 x 59.5cm.
sheet: 51 x 60cm.
Executed in 1994, this work is number four from an edition of ten plus three artist's proofs
TRACEY EMIN (B. 1963)
Outside Myself (Monument Valley)
signed, titled and dated 'Tracey Emin Outside Myself Monument Valley 1994' (on the reverse)
colour photograph
image: 39 x 59.5cm.
sheet: 51 x 60cm.
Executed in 1994, this work is number four from an edition of ten plus three artist's proofs
Outside Myself (Monument Valley)
signed, titled and dated 'Tracey Emin Outside Myself Monument Valley 1994' (on the reverse)
colour photograph
image: 39 x 59.5cm.
sheet: 51 x 60cm.
Executed in 1994, this work is number four from an edition of ten plus three artist's proofs
Jay Jopling, London.
Private Collection, Amsterdam.
Private Collection, Amsterdam.
S. Evans and R. Shone (eds.), Made In London: A collection of works by London based artists made in the 1990s, London 1996, p. 62, no. 5 (illustrated, p. 23).
M. Merck and C. Townsend (eds.), The Art of Tracey Emin, London 2002, pp. 23 and 208, no. 3 (another from the edition illustrated, p. 22).
R. Cork, Breaking Down the Barriers: Art in the 1990s, London 2003, no. 62 (another from the edition illustrated, p. 169).
N. Brown, Tracey Emin, London 2006, no. 45 (another from the edition illustrated, pp. 56-57).
H. Luard and P. Miles (eds.), Tracey Emin: Works 1963- 2006, New York 2006, p. 412 (another from the edition illustrated, p. 323).
J. Jones (ed.), Tracey Emin: Works 2007-2017, New York 2017, p. 376 (another from the edition illustrated, installation view at CAC, Malaga, pp. 80-81).
M. Merck and C. Townsend (eds.), The Art of Tracey Emin, London 2002, pp. 23 and 208, no. 3 (another from the edition illustrated, p. 22).
R. Cork, Breaking Down the Barriers: Art in the 1990s, London 2003, no. 62 (another from the edition illustrated, p. 169).
N. Brown, Tracey Emin, London 2006, no. 45 (another from the edition illustrated, pp. 56-57).
H. Luard and P. Miles (eds.), Tracey Emin: Works 1963- 2006, New York 2006, p. 412 (another from the edition illustrated, p. 323).
J. Jones (ed.), Tracey Emin: Works 2007-2017, New York 2017, p. 376 (another from the edition illustrated, installation view at CAC, Malaga, pp. 80-81).
London, South London Gallery, Tracey Emin: I Need Art Like I Need God, 1998 (another from the edition exhibited; illustrated, unpaged).
Edinburgh, National Galleries of Scotland, Tracey Emin: 20 Years, 2008-2009, p. 145, no. 9 (another from the edition exhibited; illustrated, p. 55). This exhibition later travelled to Malaga, CAC Malaga and Bern, Kunstmuseum Bern.
London, Hayward Gallery, Tracey Emin: Love is What You Want, 2011 (another from the edition exhibited; illustrated, p. 105).
Centinje, Montenegro Art Gallery, Perceptions, 2018-2019 (another from the edition exhibited). This exhibition later travelled to Novi Sad, Gallery of Matica srpska.
Edinburgh, National Galleries of Scotland, Tracey Emin: 20 Years, 2008-2009, p. 145, no. 9 (another from the edition exhibited; illustrated, p. 55). This exhibition later travelled to Malaga, CAC Malaga and Bern, Kunstmuseum Bern.
London, Hayward Gallery, Tracey Emin: Love is What You Want, 2011 (another from the edition exhibited; illustrated, p. 105).
Centinje, Montenegro Art Gallery, Perceptions, 2018-2019 (another from the edition exhibited). This exhibition later travelled to Novi Sad, Gallery of Matica srpska.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.