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拍品 116PROPERTY FROM A PRIVATE COLLECTION IN ARLINGTON VA
SIR ALFRED JAMES MUNNINGS, P.R.A., R.W.S. (BRITISH, 1878-1959)
A Huntsman Riding Through a Thicket
已結束2022年12月15日
成交價
GBP 44,100
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專家說明
Living at Church Farm in Swainsthorpe from around 1903 until 1911, Munnings often rode with the Norwich Staghounds: 'Hunting became a part of my life, and I saw many things on those days: bright winter sunlight on clipped horses and scarlet coats; on bare trees; stacks; on farmhouse gables; the riding out after a slight frost; the riding home with a frost beginning and a young moon in the sky; puddles already crisping over as I said good night to friends. Such were needed to freshen my mind and vision' (A.J. Munnings, An Artist's Life, London, 1950, p. 258).
The horse in the present work is probably Rebecca, the dark brown mare, fifteen hands three inches high, which Munnings had purchased some years earlier from his friend the Norwich horse dealer, Richard Bullard. 'Good-natured to the last degree, she served as hack, hunter and model. When the Gowings, father and son, colt-breakers, came from Harleston and clipped my new possession (they used a hand-clipper in those days), Charles, the son, declared her a "good 'un", and she looked the part' (op. cit., p. 184). The sitter is probably George Curzon who regularly modelled for the artist's hunting scenes.
We are grateful to Lorian Peralta-Ramos, the Curatorial staff at The Munnings Museum and Tristram Lewis for their assistance in preparing this catalogue entry.
The horse in the present work is probably Rebecca, the dark brown mare, fifteen hands three inches high, which Munnings had purchased some years earlier from his friend the Norwich horse dealer, Richard Bullard. 'Good-natured to the last degree, she served as hack, hunter and model. When the Gowings, father and son, colt-breakers, came from Harleston and clipped my new possession (they used a hand-clipper in those days), Charles, the son, declared her a "good 'un", and she looked the part' (op. cit., p. 184). The sitter is probably George Curzon who regularly modelled for the artist's hunting scenes.
We are grateful to Lorian Peralta-Ramos, the Curatorial staff at The Munnings Museum and Tristram Lewis for their assistance in preparing this catalogue entry.