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拍品 45
HENRI CARTIER–BRESSON (1908–2004)
Easter Sunday in Harlem, New York, 1947
已結束2022年4月5日
成交價
USD 21,420
更多資訊
HENRI CARTIER–BRESSON (1908–2004)
Easter Sunday in Harlem, New York, 1947
gelatin silver print, printed later
signed in ink and embossed photographer's copyright credit (margin); inscribed by Martine Franck in pencil (verso)
image: 13 7⁄8 x 8 3⁄8 in. (35.8 x 21.2 cm.)
sheet: 16 x 12 in. (40.6 x 30.4 cm.)
Easter Sunday in Harlem, New York, 1947
gelatin silver print, printed later
signed in ink and embossed photographer's copyright credit (margin); inscribed by Martine Franck in pencil (verso)
image: 13 7⁄8 x 8 3⁄8 in. (35.8 x 21.2 cm.)
sheet: 16 x 12 in. (40.6 x 30.4 cm.)
HENRI CARTIER–BRESSON (1908–2004)
Easter Sunday in Harlem, New York, 1947
gelatin silver print, printed later
signed in ink and embossed photographer's copyright credit (margin); inscribed by Martine Franck in pencil (verso)
image: 13 7⁄8 x 8 3⁄8 in. (35.8 x 21.2 cm.)
sheet: 16 x 12 in. (40.6 x 30.4 cm.)
Easter Sunday in Harlem, New York, 1947
gelatin silver print, printed later
signed in ink and embossed photographer's copyright credit (margin); inscribed by Martine Franck in pencil (verso)
image: 13 7⁄8 x 8 3⁄8 in. (35.8 x 21.2 cm.)
sheet: 16 x 12 in. (40.6 x 30.4 cm.)
Acquired directly from the artist by the present owner.
Jean–Pierre Montier, Henri Cartier–Bresson and the Artless Art, Bulfinch/Little, Brown and Company, Boston, New York, London, 1999, pl. 68, p. 76.
Henri Cartier-Bresson and Philippe Arbaizar, Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective, Thames & Hudson, London, 2003, pl. 291, p. 210.
Peter Galassi, Henri Cartier–Bresson: The Modern Century, The Museum of Modern Art, New York, 2010, p. 217.
Henri Cartier-Bresson and Philippe Arbaizar, Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective, Thames & Hudson, London, 2003, pl. 291, p. 210.
Peter Galassi, Henri Cartier–Bresson: The Modern Century, The Museum of Modern Art, New York, 2010, p. 217.