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拍品 37 |PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
MARY MARTIN (1907-1969)
Grey Relief
已結束2021年10月20日
成交價
GBP 50,000
更多資訊
MARY MARTIN (1907-1969)
Grey Relief
signed 'MARY MARTIN' (on the reverse)
emulsion on wood relief
23 ½ x 23 ½ x 4 ½ in. (61 x 61 x 11.5 cm.)
Constructed in 1952.
Grey Relief
signed 'MARY MARTIN' (on the reverse)
emulsion on wood relief
23 ½ x 23 ½ x 4 ½ in. (61 x 61 x 11.5 cm.)
Constructed in 1952.
MARY MARTIN (1907-1969)
Grey Relief
signed 'MARY MARTIN' (on the reverse)
emulsion on wood relief
23 ½ x 23 ½ x 4 ½ in. (61 x 61 x 11.5 cm.)
Constructed in 1952.
Grey Relief
signed 'MARY MARTIN' (on the reverse)
emulsion on wood relief
23 ½ x 23 ½ x 4 ½ in. (61 x 61 x 11.5 cm.)
Constructed in 1952.
with Annely Juda, London, where purchased by the present owner circa 2004.
Architectural Review, September 1952, illusustrated.
Burlington Magazine, February 1984, p. 69, illustrated.
Exhibition catalogue, Mary Martin, London, Tate Gallery, 1984, pp. 14-16, 52, no. 3, illustrated.
Exhibition catalogue, Kenneth and Mary Martin, London, Annely Juda, 1987, pp. 14, 122, no, 5, illustrated.
Exhibition catalogue, Austellung Kenneth und Mary Martin, Bottrop, Josef Albers Museum Quadrat Bottrop, 1989, n.p., no. 5, illustrated.
S. Brown and R. Hall (eds.), exhibition catalogue, Mary Martin: The end is always to achieve simplicity, Huddersfield, Art Gallery, 2004, pp. 44, 49, exhibition not numbered, illustrated.
A. Grieve, Constructed Abstract Art in England, Yale, 2005, pp. 21, 152-153, pl. 191.
Burlington Magazine, February 1984, p. 69, illustrated.
Exhibition catalogue, Mary Martin, London, Tate Gallery, 1984, pp. 14-16, 52, no. 3, illustrated.
Exhibition catalogue, Kenneth and Mary Martin, London, Annely Juda, 1987, pp. 14, 122, no, 5, illustrated.
Exhibition catalogue, Austellung Kenneth und Mary Martin, Bottrop, Josef Albers Museum Quadrat Bottrop, 1989, n.p., no. 5, illustrated.
S. Brown and R. Hall (eds.), exhibition catalogue, Mary Martin: The end is always to achieve simplicity, Huddersfield, Art Gallery, 2004, pp. 44, 49, exhibition not numbered, illustrated.
A. Grieve, Constructed Abstract Art in England, Yale, 2005, pp. 21, 152-153, pl. 191.
London, 22 Fitzroy Street, 2nd Weekend Exhibition, July 1952, exhibition not numbered.
London, New Burlington Galleries, London Group: Annual Exhibition, October - November 1952.
Cambridge, Heffer Gallery, New Trends in English Sculpture, October 1953, no. 22.
Cambridge, Heffer Gallery, Mary and Kenneth Martin: Reliefs and Mobiles, April - May 1954, no. 4.
London, Hanover Gallery, Contemporary Sculpture, July - September 1956, no. 34.
London, Tate Gallery, Mary Martin, October - November 1984, no. 3.
London, Annely Juda, Kenneth and Mary Martin, September - October 1987, no. 5.
Bottrop, Joseph Albers Museum Quadrat Bottrop, Austellung Kenneth und Mary Martin, March - April 1989, no. 5.
Huddersfield, Art Gallery, Mary Martin: The end is always to achieve simplicity, October - December 2004, exhibition not numbered: this exhibition travelled to Cambridge, Kettle's Yard, January - February 2005; Eastbourne, Towner Art Gallery, March - May 2005; and Bournemouth, Russel-Cotes Art Gallery and Museum, June - September 2005.
London, New Burlington Galleries, London Group: Annual Exhibition, October - November 1952.
Cambridge, Heffer Gallery, New Trends in English Sculpture, October 1953, no. 22.
Cambridge, Heffer Gallery, Mary and Kenneth Martin: Reliefs and Mobiles, April - May 1954, no. 4.
London, Hanover Gallery, Contemporary Sculpture, July - September 1956, no. 34.
London, Tate Gallery, Mary Martin, October - November 1984, no. 3.
London, Annely Juda, Kenneth and Mary Martin, September - October 1987, no. 5.
Bottrop, Joseph Albers Museum Quadrat Bottrop, Austellung Kenneth und Mary Martin, March - April 1989, no. 5.
Huddersfield, Art Gallery, Mary Martin: The end is always to achieve simplicity, October - December 2004, exhibition not numbered: this exhibition travelled to Cambridge, Kettle's Yard, January - February 2005; Eastbourne, Towner Art Gallery, March - May 2005; and Bournemouth, Russel-Cotes Art Gallery and Museum, June - September 2005.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.