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拍品 209
Marina Abramović
Shoes for Departure
已結束2021年5月27日
成交價
EUR 56,250
更多資訊
Marina Abramovic
Shoes for Departure
amethyst, in two parts
left shoe: 17.5 x 18.5 x 43cm.
right shoe: 17.5 x 18.5 x 43cm.
Executed in 1991
Shoes for Departure
amethyst, in two parts
left shoe: 17.5 x 18.5 x 43cm.
right shoe: 17.5 x 18.5 x 43cm.
Executed in 1991
Marina Abramovic
Shoes for Departure
amethyst, in two parts
left shoe: 17.5 x 18.5 x 43cm.
right shoe: 17.5 x 18.5 x 43cm.
Executed in 1991
Shoes for Departure
amethyst, in two parts
left shoe: 17.5 x 18.5 x 43cm.
right shoe: 17.5 x 18.5 x 43cm.
Executed in 1991
Acquired directly from the artist by the present owner in 1993.
Marina Abramović, exh. cat., Berlin, Neue Nationalgalerie, 1993, p. 289.
Marina Abramović, exh. cat., Milan, Padiglione d'Arte Contemporanea, 1993-1994.
J.A. Kaplan, "Deeper and Deeper: Interview with Marina Abramović", in Art Journal, vol. 58, no. 2, Summer 1999, pp. 7-21.
G. Celant, Marina Abramović: Public Body, Milan 2001, pp. 162-169.
U. Grosenick, Women Artists in the 20th and 21st Century, Cologne 2001 (another from the series illustrated, p. 21).
W. Peppler, A Collector and his Oeuvre, Suède 2008 (another from the series illustrated, p. 59).
Marina Abramović, exh. cat., Milan, Padiglione d'Arte Contemporanea, 1993-1994.
J.A. Kaplan, "Deeper and Deeper: Interview with Marina Abramović", in Art Journal, vol. 58, no. 2, Summer 1999, pp. 7-21.
G. Celant, Marina Abramović: Public Body, Milan 2001, pp. 162-169.
U. Grosenick, Women Artists in the 20th and 21st Century, Cologne 2001 (another from the series illustrated, p. 21).
W. Peppler, A Collector and his Oeuvre, Suède 2008 (another from the series illustrated, p. 59).
Kassel, Documenta IX, 1992.
Darmstadt, Hessisches Landesmuseum, Faszination Edelstein, 1992.
Chemnitz, Städtischen Kunstsammlung, Georgius Agricola: Bergwelten 1494-1994, 1994.
Edinburg, The Fruitmarket Gallery, Marina Abramović: Objects, Performance, Video, Sound, 1995, pp. 92-93 (another from the series exhibited).
Bonn, Städtisches Kunstmuseum Bonn, Gehen, bleiben: Bewegung, Körper, Ort in der Kunst der Gegenwart, 2008.
Darmstadt, Hessisches Landesmuseum, Faszination Edelstein, 1992.
Chemnitz, Städtischen Kunstsammlung, Georgius Agricola: Bergwelten 1494-1994, 1994.
Edinburg, The Fruitmarket Gallery, Marina Abramović: Objects, Performance, Video, Sound, 1995, pp. 92-93 (another from the series exhibited).
Bonn, Städtisches Kunstmuseum Bonn, Gehen, bleiben: Bewegung, Körper, Ort in der Kunst der Gegenwart, 2008.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.