拍品 69 Property from an Important Private Collection

布萊斯·馬爾頓 (1938年生)

《帶綠色的蝴蝶翅膀》

已結束2020年7月10日

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布萊斯·馬爾頓 (1938年生)
《帶綠色的蝴蝶翅膀》
款識: B. Marden 05 (右下)
水墨紙本
11 x 15 in. (27.9 x 38.1 cm.)
2005年作

紐約 Matthew Marks畫廊
現藏者於2006年得自上述畫廊

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.

Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

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布萊斯·馬爾頓創作於二零零五年的《帶綠色的蝴蝶翅膀》，動態地捕捉到自二十世紀八十年代中期以來賦予其作品多樣風格的不同靈感來源——包括抽象表現主義、自然界與中國文化元素的具體融合。在這座迂回錯綜的迷宮裡，靈動的灰綠色、金黃色與墨色線條相互纏繞，交織出能量的脈動。該作中，馬爾頓完美平衡了正負空間，縱其筆下的斑斕色帶在空白的紙面上蹁躚起舞，為畫面注入極富張力的視覺縱深。這件《帶綠色的蝴蝶翅膀》以蜿蜒線條編織起一張繁複的網，仿佛是通往未知目的地的地圖。藝術家本人也曾提及：“理想情況下，擇一根線，順著它一直走下去；或是選另一種顏色，一直走下去，”最終在每一個轉彎處都有一個新的人生旅程在等待被發現。（布萊斯·馬爾頓，引自J. Yau, "布萊斯·馬爾頓訪談", E. Keller & R. Malin《布萊斯·馬爾頓》, 2003年，第58頁）

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布萊斯·馬爾頓 (1938年生)

《帶綠色的蝴蝶翅膀》

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布萊斯·馬爾頓 (1938年生)

《帶綠色的蝴蝶翅膀》

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