Attributed to Sir Nathaniel Dance-Holland, 1st Baronet, R.A. (London 1735-1811 Winchester)
拍品 133PROPERTY FROM THE INDIANAPOLIS MUSEUM OF ART AT NEWFIELDS, SOLD TO BENEFIT THE ART ACQUISITIONS FUND

Attributed to Sir Nathaniel Dance-Holland, 1st Baronet, R.A. (London 1735-1811 Winchester)

Portrait of a Lord Mayor of London, traditionally identified as Sir Brook Watson, 1st Bt. (1735-1807), three-quarter-length

已結束2020年6月19日

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Attributed to Sir Nathaniel Dance-Holland, 1st Baronet, R.A. (London 1735-1811 Winchester)
Portrait of a Lord Mayor of London, traditionally identified as Sir Brook Watson, 1st Bt. (1735-1807), three-quarter-length
oil on canvas, laid down on board, unframed
49 ½ x 39 ¾ in. (125.8 x 100.9 cm.)

Grosvenor Blaine Clarkson (1882-1937), New York.
with The Norton Galleries, New York, by 1933, where acquired by the following
with Robert C. Vose Galleries, Boston, in 1933, where (possibly) acquired by
Booth Tarkington (1869-1946), Kennebunkport, ME, by 1935.
with Robert C. Vose Galleries, Boston, by 1944, where acquired by
The John Herron Art Institute, later the Indianapolis Museum of Art, in 1944.

專家說明

For much to the 20th century, the sitter was held to be Sir Brook Watson, 1st Bt., Lord Mayor of London (1796–1797). This identification may have been perpetuated because of the manner in which the drapery covers the sitter's proper left leg; Watson lost his leg to a shark in Havana while at sea in 1749, but it was his right leg rather than his left. Furthermore, there is sufficient volume in the area of the left leg to suggest that the artist intended it to be perceived as present, albeit covered.
The authorship of this portrait was traditionally given to the Anglo-American painter, John Singleton Copley. However, the painting can be more convincingly ascribed to Sir Nathaniel Dance-Holland, to whose portrait of Frederick North, 2nd Earl of Guilford (c. 1773; National Portrait Gallery, London) the present picture bears a striking resemblance, above all in the treatment of the hands and costume.