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拍品 26
ATTTRIBUÉ A LUCAS GASSEL (HELMOND AVANT 1500-1568 OU 1569)
La Fuite en Egypte
已結束2020年5月27日
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EUR 60,000
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ATTTRIBUÉ A LUCAS GASSEL (HELMOND AVANT 1500-1568 OU 1569)
La Fuite en Egypte
gouache rehaussé d'or, sur vélin
24,9 x 33,9 cm. (9 ¾ x 13 ¼ in.)
La Fuite en Egypte
gouache rehaussé d'or, sur vélin
24,9 x 33,9 cm. (9 ¾ x 13 ¼ in.)
ATTTRIBUÉ A LUCAS GASSEL (HELMOND AVANT 1500-1568 OU 1569)
La Fuite en Egypte
gouache rehaussé d'or, sur vélin
24,9 x 33,9 cm. (9 ¾ x 13 ¼ in.)
La Fuite en Egypte
gouache rehaussé d'or, sur vélin
24,9 x 33,9 cm. (9 ¾ x 13 ¼ in.)
S. Bergmans, 'La signification réelle des œuvres de Luc Gassel et de Jean van Amstel rangés par Dominique Lampsonius parmi les peintres célèbres des Pays-Bas', Annales de l'Institut archéologique du Luxembourg, XCII, 1961, p. 200.
Bruxelles, Musées Royaux des Beaux-Arts de Belgique, Le Siècle de Brueghel. La Peinture en Belgique au XVIe siècle, 1963, no. 102, ill. (comme Lucas Gassel).
ATTRIBUTED TO LUCAS GASSEL, THE FLIGHT INTO EGYPT
BODYCOLOUR
Typical of the landscapes by Lucas van Gassel in composition and style, the present work may be the artist’s only known gouache on vellum. In its rendering of the vegetation, buildings, sky and background figures, it closely ressembles to his oil paintings on panel, several of which are signed with his monogram and dated, such as one at the Kunsthistorisches Museum, Vienna (inv. 1019; for other examples see A. Wied and L. Slavíček in Die flämische Landschaft, 1520-1570, exhib. cat., Essen, Villa Hügel, Kulturstiftung Ruhr Essen, and Vienna, Kunsthistorisches Museum, 2003-2004, nos. 32, 33, ill.). Most of the left part of the composition, including the dragon tree, is based directly on Martin Schongauer’s celebrated engraving of the same subject (M. Lehrs, Katalog der Kupferstiche Martin Schongauers, Vienna, 1925, no. 7).
BODYCOLOUR
Typical of the landscapes by Lucas van Gassel in composition and style, the present work may be the artist’s only known gouache on vellum. In its rendering of the vegetation, buildings, sky and background figures, it closely ressembles to his oil paintings on panel, several of which are signed with his monogram and dated, such as one at the Kunsthistorisches Museum, Vienna (inv. 1019; for other examples see A. Wied and L. Slavíček in Die flämische Landschaft, 1520-1570, exhib. cat., Essen, Villa Hügel, Kulturstiftung Ruhr Essen, and Vienna, Kunsthistorisches Museum, 2003-2004, nos. 32, 33, ill.). Most of the left part of the composition, including the dragon tree, is based directly on Martin Schongauer’s celebrated engraving of the same subject (M. Lehrs, Katalog der Kupferstiche Martin Schongauers, Vienna, 1925, no. 7).
Bibliographie additive :
S. Kemperdick, Martin Schongauer, Petersberg, 2004, p. 267, fig. 122 (comme Lucas Gassel).
Additional bibliography :
S. Kemperdick, Martin Schongauer, Petersberg, 2004, p. 267, fig. 122 (as Lucas Gassel).
S. Kemperdick, Martin Schongauer, Petersberg, 2004, p. 267, fig. 122 (comme Lucas Gassel).
Additional bibliography :
S. Kemperdick, Martin Schongauer, Petersberg, 2004, p. 267, fig. 122 (as Lucas Gassel).