The Uppark Master (active Venice 1751)
拍品 281 PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION

The Uppark Master (active Venice 1751)

The Rialto Bridge, Venice, seen from the North with the Fondaco dei Tedeschi, the Palazzo dei Camerlenghi and the Fabbriche Vecchie di Rialto

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The Uppark Master (active Venice 1751)
The Rialto Bridge, Venice, seen from the North with the Fondaco dei Tedeschi, the Palazzo dei Camerlenghi and the Fabbriche Vecchie di Rialto
oil on canvas
32 ¾ x 47 7/8 in. (83.2 x 121.4 cm.)

Collection of the Earls of Kinnoull.
Charles Sedelmeyer (1837-1925), Paris, by 1896; Galerie Sedelmeyer, Paris, 3 June 1907, lot 109, as 'Antonio Canale, dit il Canaletto' (11,300 francs).
Thomas Humphry Ward (1845-1926), London and Oxford.
Marcell Nemes (1866-1930), Budapest and Munich; his sale (†), Hugo Helbing, Munich, 2 November 1933 (=1st day), lot 94, as 'Bellotto', when acquired by,
Fritz von Zsolnay, Richmond, London; Christie's, London, 31 July 1939, lot 176, as 'Bellotto'.
Acquired by the father of the present owner.

專家說明

Charles Beddington, to whom we are grateful, has pointed out that this canvas would appear to be by the hand responsible for a set of Venetian views at Uppark, West Sussex. These were evidently purchased or ordered in Venice by Sir Matthew Fetherstonhaugh, 1st Bt. (1714-1774), who also acquired sets of pictures by Batoni and Vernet, among others, partly because he had no hereditary collection to which to add. While Canaletto was in Venice on 8 March 1751 and returned to London on 30 July, Fetherstonhaugh was also in the city in July of that year on his return journey from Rome and Naples, making it a possibility that their paths crossed. Fetherstonhaugh was directed by Consul Smith to the present accomplished painter, possibly a former pupil or assistant of Canaletto, whose personality has been isolated by Charles Beddington. Versions of two of the Uppark pictures, evidently by the same hand, the Canareggio and the Entrance to the Grand Canal with S. Maria della Salute, were exhibited as by Canaletto, at the Musée Maillol, Paris, Canaletto à Venise, 2012-13, nos. 27-8.