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拍品 254 |PROPERTY FROM AN IMPORTANT JAPANESE COLLECTION
HENRI CARTIER–BRESSON (1908–2004)
On the Banks of the Marne, France, 1938
已結束2018年10月5日
成交價
USD 7,500
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HENRI CARTIER–BRESSON (1908–2004)
On the Banks of the Marne, France, 1938
gelatin silver print, printed 1970s
signed in ink (margin); dated '1938' and numbered '34' in pencil (verso)
image: 9 ½ x 14 ¼ in. (24.2 x 36.2 cm.)
sheet: 12 x 16 in. (30.5 x 40.6 cm.)
On the Banks of the Marne, France, 1938
gelatin silver print, printed 1970s
signed in ink (margin); dated '1938' and numbered '34' in pencil (verso)
image: 9 ½ x 14 ¼ in. (24.2 x 36.2 cm.)
sheet: 12 x 16 in. (30.5 x 40.6 cm.)
HENRI CARTIER–BRESSON (1908–2004)
On the Banks of the Marne, France, 1938
gelatin silver print, printed 1970s
signed in ink (margin); dated '1938' and numbered '34' in pencil (verso)
image: 9 ½ x 14 ¼ in. (24.2 x 36.2 cm.)
sheet: 12 x 16 in. (30.5 x 40.6 cm.)
On the Banks of the Marne, France, 1938
gelatin silver print, printed 1970s
signed in ink (margin); dated '1938' and numbered '34' in pencil (verso)
image: 9 ½ x 14 ¼ in. (24.2 x 36.2 cm.)
sheet: 12 x 16 in. (30.5 x 40.6 cm.)
Acquired directly from the artist by Zeit-Foto Salon, Tokyo;
acquired from the above by the present owner, late 1970s.
acquired from the above by the present owner, late 1970s.
Yves Bonnefoy, Henri Cartier–Bresson: Photographer, New York Graphic Society/Little, Brown and Company, New York, 1986, pl. 145.
Exhibition catalogue, The Art of Photography 1839–1989, The Royal Academy of the Arts, London, 1989, pl. 277.
Jean–Pierre Montier, Henri Cartier–Bresson and the Artless Art, Bulfinch/Little, Brown and Company, Boston, New York, London, 1999, pl. 111, p. 118.
Philippe Abraizar et al., Henri Cartier-Bresson: the Man, the Image and the World, Thames & Hudson, London, 2003, pl. 69, p. 73.
Peter Galassi, Henri Cartier–Bresson: The Modern Century, The Museum of Modern Art, New York, 2010, p. 150.
Exhibition catalogue, The Art of Photography 1839–1989, The Royal Academy of the Arts, London, 1989, pl. 277.
Jean–Pierre Montier, Henri Cartier–Bresson and the Artless Art, Bulfinch/Little, Brown and Company, Boston, New York, London, 1999, pl. 111, p. 118.
Philippe Abraizar et al., Henri Cartier-Bresson: the Man, the Image and the World, Thames & Hudson, London, 2003, pl. 69, p. 73.
Peter Galassi, Henri Cartier–Bresson: The Modern Century, The Museum of Modern Art, New York, 2010, p. 150.