A GERMAN ORMOLU-MOUNTED AND BRASS-INLAID ACAJOU MOUCHETE (PLUM PUDDING MAHOGANY) WRITING TABLE
拍品 187

A GERMAN ORMOLU-MOUNTED AND BRASS-INLAID ACAJOU MOUCHETE (PLUM PUDDING MAHOGANY) WRITING TABLE

AFTER A MODEL BY DAVID ROENTGEN, PROBABLY 20TH CENTURY

已結束2018年9月26日

成交價

USD 5,000

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A GERMAN ORMOLU-MOUNTED AND BRASS-INLAID ACAJOU MOUCHETE (PLUM PUDDING MAHOGANY) WRITING TABLE
AFTER A MODEL BY DAVID ROENTGEN, PROBABLY 20TH CENTURY
The oval top with pierced three-quarter gallery above a frieze fitted with a drawer enclosing a leather-lined writing-slide, flanked by a pair of sprung-released swiveling compartments, on tapering mill grained-inset legs joined by a shaped galleried undertier
30 ½ in. (77.5 cm.) high, 29 ¼ in. (74.5 cm.) wide, 20 ½ in. (52 cm.) deep

Anonymous sale; Tajan, Paris, 20 March 2008, lot 75.

專家說明

Conceived in the neoclassical style popularized by Louis XVI and the court of Versailles, this writing table is based on a select group of closely-related tables by David Roentgen.
David (1743-1807) trained under his father, Abraham Roentgen (1711-1793), the most adept German cabinet-maker of his generation. Abraham’s reputation for excellence, both for mechanical devices and illusionistic marquetry, was unsurpassed but his influence rarely stretched further than the borders of his own region. David, however, recognized the opportunities that lay beyond these confines and seized them, securing introductions to, and patronage from, the most significant Royal courts of continental Europe including that of Louis XVI and Marie-Antoinette, Frederick the Great (1740-1786) and Catherine the Great (1762-1796).
David Roentgen’s luxurious and technically advanced mahogany furniture conceived in the 1780s could rival the most sophisticated pieces made in Paris during the reign of Louis XVI (1774-1792). In fact, Roentgen’s distinct elongated forms and pure designs followed a stricter neo-classical idiom than that employed by his French counterparts.
A very similar writing table, attributed to David Roentgen, was sold Christie's, London 4 July 2017, lot 54.