.jpg?maxwidth=3840)
拍品 414 |The Collection of Peggy and David Rockefeller
Morris Cole Graves (1910-2001)
Shore Birds
已結束2018年5月9日
成交價
USD 408,500
更多資訊
Morris Cole Graves (1910-2001)
Shore Birds
gouache and watercolor on paper
25 ¾ x 30 ¾ in. (65.4 x 78.1 cm.)
Executed in 1939.
Shore Birds
gouache and watercolor on paper
25 ¾ x 30 ¾ in. (65.4 x 78.1 cm.)
Executed in 1939.
Morris Cole Graves (1910-2001)
Shore Birds
gouache and watercolor on paper
25 ¾ x 30 ¾ in. (65.4 x 78.1 cm.)
Executed in 1939.
Shore Birds
gouache and watercolor on paper
25 ¾ x 30 ¾ in. (65.4 x 78.1 cm.)
Executed in 1939.
Willard Gallery, New York.
Mr. and Mrs. Alfred H. Barr, Jr., New York, acquired from the above, 1942.
Victoria Barr, New York, daughter of the above, gift from the above, 1976.
Acquired by the late owners from the above, 1976.
Mr. and Mrs. Alfred H. Barr, Jr., New York, acquired from the above, 1942.
Victoria Barr, New York, daughter of the above, gift from the above, 1976.
Acquired by the late owners from the above, 1976.
W.R. Valentiner, "Morris Graves," Art Quarterly, vol. VII, Autumn 1944, p. 250, illustrated (as Sandpipers).
ARTNews, July 1946, vol. 45, no. 5, p. 23, illustrated.
F. Wight, J. Baur, D. Phillips, Morris Graves, Berkeley, California, 1956, p. 24, illustrated (as Shore Birds, No. 1).
I. Rubin, ed., The Drawings of Morris Graves, Boston, Massachusetts, 1974, pp. 46-47, illustrated.
J. Barnitz, et al., The David and Peggy Rockefeller Collection: Art of the Western Hemisphere, vol. II, New York, 1988, pp. 126-28, no. 61, illustrated.
T.F. Wolff, Morris Graves, The Early Works, Hong Kong, 1998, pp. 36, 70, illustrated.
ARTNews, July 1946, vol. 45, no. 5, p. 23, illustrated.
F. Wight, J. Baur, D. Phillips, Morris Graves, Berkeley, California, 1956, p. 24, illustrated (as Shore Birds, No. 1).
I. Rubin, ed., The Drawings of Morris Graves, Boston, Massachusetts, 1974, pp. 46-47, illustrated.
J. Barnitz, et al., The David and Peggy Rockefeller Collection: Art of the Western Hemisphere, vol. II, New York, 1988, pp. 126-28, no. 61, illustrated.
T.F. Wolff, Morris Graves, The Early Works, Hong Kong, 1998, pp. 36, 70, illustrated.
Chicago, Illinois, Arts Club of Chicago, Morris Graves, January 6-27, 1943, no. 31.
Chicago, Illinois, Art Institute of Chicago, Fifty-Ninth Annual American Exhibition: Water Colors and Drawings, November 4, 1948-January 2, 1949, no. 125.
Paris, France, Musée National d'Art Moderne; Zürich, Switzerland, Kunsthaus; Düsseldorf, Germany, Kunstsammlungen der Stadt Düsseldorf; Stockholm, Sweden, Liljevalchs Konsthall; Helsinki, Finland, Taidehalle; Oslo, Norway, Kunstnernes Hus, Twelve Modern American Painters and Sculptors, April 24, 1953-March 7, 1954, no. 15.
New York, Whitney Museum of American Art; Washington, D.C., The Phillips Collection; Boston, Massachusetts, Museum of Fine Arts; Des Moines, Iowa, Des Moines Art Center; San Francisco, California, M.H. de Young Memorial Museum; Los Angeles, California, University of California, The Art Galleries; La Jolla, California, Art Center; Seattle, Washington, Seattle Art Museum, Morris Graves Retrospective Exhibition, February 28, 1956-March 10, 1957, no. 19.
New York, Visual Arts Museum, School of Visual Arts, Morris Graves, 1939-1977, November 6-December 8, 1978.
Washington, D.C., The Phillips Collection; Greenville, South Carolina, Greenville County Museum of Art; New York, Whitney Museum of American Art, Morris Graves: Vision of the Inner Eye, April 9-November 27, 1983, pp. 31, 102, no. 28, illustrated.
Santa Clara, California, The De Saisset Museum, Morris Graves: Works of Fifty Years, July 8-August 31, 1990, p. 14, no. 8.
New York, Schmidt Bingham Gallery, Morris Graves, Mark Tobey: Immanence/Iridescence, January 12-February 28, 1994, illustrated.
Chicago, Illinois, Art Institute of Chicago, Fifty-Ninth Annual American Exhibition: Water Colors and Drawings, November 4, 1948-January 2, 1949, no. 125.
Paris, France, Musée National d'Art Moderne; Zürich, Switzerland, Kunsthaus; Düsseldorf, Germany, Kunstsammlungen der Stadt Düsseldorf; Stockholm, Sweden, Liljevalchs Konsthall; Helsinki, Finland, Taidehalle; Oslo, Norway, Kunstnernes Hus, Twelve Modern American Painters and Sculptors, April 24, 1953-March 7, 1954, no. 15.
New York, Whitney Museum of American Art; Washington, D.C., The Phillips Collection; Boston, Massachusetts, Museum of Fine Arts; Des Moines, Iowa, Des Moines Art Center; San Francisco, California, M.H. de Young Memorial Museum; Los Angeles, California, University of California, The Art Galleries; La Jolla, California, Art Center; Seattle, Washington, Seattle Art Museum, Morris Graves Retrospective Exhibition, February 28, 1956-March 10, 1957, no. 19.
New York, Visual Arts Museum, School of Visual Arts, Morris Graves, 1939-1977, November 6-December 8, 1978.
Washington, D.C., The Phillips Collection; Greenville, South Carolina, Greenville County Museum of Art; New York, Whitney Museum of American Art, Morris Graves: Vision of the Inner Eye, April 9-November 27, 1983, pp. 31, 102, no. 28, illustrated.
Santa Clara, California, The De Saisset Museum, Morris Graves: Works of Fifty Years, July 8-August 31, 1990, p. 14, no. 8.
New York, Schmidt Bingham Gallery, Morris Graves, Mark Tobey: Immanence/Iridescence, January 12-February 28, 1994, illustrated.
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.