.jpg?maxwidth=3840)
拍品 329
EUGÈNE ATGET (1857–1927)
Notre-Dame, 1923
已結束2017年10月10日
成交價
USD 68,750
更多資訊
EUGÈNE ATGET (1857–1927)
Notre-Dame, 1923
printing-out paper print from glass negative
numbered '6412' (in the negative); stamped photographer's Rue Campagne-Première credit with '17 bis' in pencil, titled and numbered '6412' by the photographer in pencil, annotated 'MOMA Dupe 2002' and variously otherwise annotated in pencil (verso)
image/sheet: 7 x 8 7/8 in. (17.8 x 22.7 cm.)
Notre-Dame, 1923
printing-out paper print from glass negative
numbered '6412' (in the negative); stamped photographer's Rue Campagne-Première credit with '17 bis' in pencil, titled and numbered '6412' by the photographer in pencil, annotated 'MOMA Dupe 2002' and variously otherwise annotated in pencil (verso)
image/sheet: 7 x 8 7/8 in. (17.8 x 22.7 cm.)
EUGÈNE ATGET (1857–1927)
Notre-Dame, 1923
printing-out paper print from glass negative
numbered '6412' (in the negative); stamped photographer's Rue Campagne-Première credit with '17 bis' in pencil, titled and numbered '6412' by the photographer in pencil, annotated 'MOMA Dupe 2002' and variously otherwise annotated in pencil (verso)
image/sheet: 7 x 8 7/8 in. (17.8 x 22.7 cm.)
Notre-Dame, 1923
printing-out paper print from glass negative
numbered '6412' (in the negative); stamped photographer's Rue Campagne-Première credit with '17 bis' in pencil, titled and numbered '6412' by the photographer in pencil, annotated 'MOMA Dupe 2002' and variously otherwise annotated in pencil (verso)
image/sheet: 7 x 8 7/8 in. (17.8 x 22.7 cm.)
Acquired from the artist's estate by Berenice Abbott (1898–1991);
acquired from the above by Julien Levy (1906–1981), 1930s;
acquired from the above by The Museum of Modern Art, New York (as the Abbott-Levy Collection), late 1960s;
David Tunick Fine Arts, New York;
Edwynn Houk Gallery, New York;
acquired from the above by a Private Collector, Houston;
Modern Visions: Exceptional Photographs; Christie’s, New York, February 17, 2016, lot 17;
acquired from the above sale by the present owner.
acquired from the above by Julien Levy (1906–1981), 1930s;
acquired from the above by The Museum of Modern Art, New York (as the Abbott-Levy Collection), late 1960s;
David Tunick Fine Arts, New York;
Edwynn Houk Gallery, New York;
acquired from the above by a Private Collector, Houston;
Modern Visions: Exceptional Photographs; Christie’s, New York, February 17, 2016, lot 17;
acquired from the above sale by the present owner.
Edita Lausanne, Paris du Temps Perdu: Photographies d’Eugene Atget, Librairie Gallimard, Paris, 1963, p. 142.
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.