A SOUTH GERMAN ORMOLU-MOUNTED, PIETRA DURA, PEWTER AND BONE-INLAID EBONY, ROSEWOOD AND TORTOISESHELL CABINET-ON-STAND
拍品 515

A SOUTH GERMAN ORMOLU-MOUNTED, PIETRA DURA, PEWTER AND BONE-INLAID EBONY, ROSEWOOD AND TORTOISESHELL CABINET-ON-STAND

LATE 17TH CENTURY, THE PIETRA DURA PROBABLY FLORENTINE, THE STAND FIRST HALF 19TH CENTURY

已結束2017年3月23日

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GBP 68,750

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A SOUTH GERMAN ORMOLU-MOUNTED, PIETRA DURA, PEWTER AND BONE-INLAID EBONY, ROSEWOOD AND TORTOISESHELL CABINET-ON-STAND
LATE 17TH CENTURY, THE PIETRA DURA PROBABLY FLORENTINE, THE STAND FIRST HALF 19TH CENTURY
The central architectural cupboard door inlaid with a flowering vase and flanked by Solomonic columns, enclosing a fitted interior with panelled drawers, the outer drawers inlaid with pietra dura and coral birds, floral sprays, and a village scene, the panelled sides with lozenges, on an associated floral-inlaid stand, losses
67 ½ in. (171.5 cm.) high; 62 ½ in. (158.5 cm.) wide; 22 ½ in. (57 cm.) deep

Probably at Townhill Park, Hampshire until 1948 or at 12 Kensington Palace Gardens, London.
The Property of Lady Swaythling; sold Christie's, London, 19 July 1962, lot 89.

專家說明

Splendid ebony cabinets such as this example, elaborately conceived to display costly pietra dura panels depicting birds, flowers and florentine landscapes, were mainly produced in Florence but favoured by a growing population of wealthy patrons and princely rulers across Europe in the 17th century, and particularly in Germany. The precious trompe l'oeil mosaics of marbles and hardstones epitomise the princely magnificence of the Opificio delle pietre dure founded in 1588 by Grand Duke Ferdinand I de Medici, while their never-fading flowers evoke the Arcadian concept of perpetual spring or 'Ver perpetuum'.

In Germany, pietra dura panels were acquired either directly from Florence by agents such as Hainhofer or traded at luxury fairs in centers such as Frankfurt or Leipzig and would often then be incorporated into tables or cabinets made by German craftsmen. Augsburg, with its famous tradition of skilled craftsmen in precious metals and sculpture, became a particular center for this production, and the princely rulers of Bavaria had a pronounced predilection for pietre dure.