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拍品 49
Diane Arbus (1923-1971)
Burlesque Commedienne in her Dressing Room, Atlantic City, NY, 1963
已結束2016年5月20日
成交價
GBP 6,875
更多資訊
Diane Arbus (1923-1971)
Burlesque Commedienne in her Dressing Room, Atlantic City, NY, 1963
gelatin silver print, printed later by Neil Selkirk
signed, titled, dated and numbered '60/75' by Doon Arbus, Administrator, various annotations in pencil with stamped copyright credit and 'print by Neil Selkirk' (verso)
image: 14 x 14 in. (35.5 x 35.5 cm.)
sheet: 19 7/8 x 16 in. (50.5 x 40.6 cm.)
This work is number 60 from the edition of 75.
Burlesque Commedienne in her Dressing Room, Atlantic City, NY, 1963
gelatin silver print, printed later by Neil Selkirk
signed, titled, dated and numbered '60/75' by Doon Arbus, Administrator, various annotations in pencil with stamped copyright credit and 'print by Neil Selkirk' (verso)
image: 14 x 14 in. (35.5 x 35.5 cm.)
sheet: 19 7/8 x 16 in. (50.5 x 40.6 cm.)
This work is number 60 from the edition of 75.
Diane Arbus (1923-1971)
Burlesque Commedienne in her Dressing Room, Atlantic City, NY, 1963
gelatin silver print, printed later by Neil Selkirk
signed, titled, dated and numbered '60/75' by Doon Arbus, Administrator, various annotations in pencil with stamped copyright credit and 'print by Neil Selkirk' (verso)
image: 14 x 14 in. (35.5 x 35.5 cm.)
sheet: 19 7/8 x 16 in. (50.5 x 40.6 cm.)
This work is number 60 from the edition of 75.
Burlesque Commedienne in her Dressing Room, Atlantic City, NY, 1963
gelatin silver print, printed later by Neil Selkirk
signed, titled, dated and numbered '60/75' by Doon Arbus, Administrator, various annotations in pencil with stamped copyright credit and 'print by Neil Selkirk' (verso)
image: 14 x 14 in. (35.5 x 35.5 cm.)
sheet: 19 7/8 x 16 in. (50.5 x 40.6 cm.)
This work is number 60 from the edition of 75.
Galerie Thomas Zander, Germany;
acquired from the above by the present owner.
acquired from the above by the present owner.
Doon Arbus and Marvin Israel, Diane Arbus: An Aperture Monograph, Aperture and The Museum of Modern Art, New York, 1972, p. 75.