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拍品 267
Paul Strand (1890-1976)
Toadstool and Grasses, Georgetown, Maine, 1928
已結束2016年2月18日
成交價
USD 26,250
更多資訊
Paul Strand (1890-1976)
Toadstool and Grasses, Georgetown, Maine, 1928
gelatin silver contact print
titled and credit by Hazel Strand in pencil (verso)
image/sheet: 10 x 8 in. (25.5 x 20.3 cm.)
Toadstool and Grasses, Georgetown, Maine, 1928
gelatin silver contact print
titled and credit by Hazel Strand in pencil (verso)
image/sheet: 10 x 8 in. (25.5 x 20.3 cm.)
Paul Strand (1890-1976)
Toadstool and Grasses, Georgetown, Maine, 1928
gelatin silver contact print
titled and credit by Hazel Strand in pencil (verso)
image/sheet: 10 x 8 in. (25.5 x 20.3 cm.)
Toadstool and Grasses, Georgetown, Maine, 1928
gelatin silver contact print
titled and credit by Hazel Strand in pencil (verso)
image/sheet: 10 x 8 in. (25.5 x 20.3 cm.)
The artist;
Hazel Strand, directly from the above;
Michael Hoffman (1942-2001), former Director of the Aperture Foundation;
with Howard Greenberg Gallery, New York.
Hazel Strand, directly from the above;
Michael Hoffman (1942-2001), former Director of the Aperture Foundation;
with Howard Greenberg Gallery, New York.
Nancy Newhall, (ed.), Time in New England: 106 Photographs by Paul Strand, Oxford University Press, New York, 1950, p. 186.
John Szarkowski, Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, The Museum of Modern Art, New York, 1973, p. 97.
Sarah Greenough, Paul Strand: An American Vision, National Gallery of Art, Washington, D.C./Aperture, 1990, p. 55.
Peter Barberie and Amanda N. Bock, Paul Strand: Master of Modern Photography, Yale University Press/Philadephia Museum of Art, New Haven, 2014, pl. 71.
John Szarkowski, Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, The Museum of Modern Art, New York, 1973, p. 97.
Sarah Greenough, Paul Strand: An American Vision, National Gallery of Art, Washington, D.C./Aperture, 1990, p. 55.
Peter Barberie and Amanda N. Bock, Paul Strand: Master of Modern Photography, Yale University Press/Philadephia Museum of Art, New Haven, 2014, pl. 71.