![KENNINGTON, Eric. Collotype of his portrait of T.E. Lawrence. Oxford: University Press, [circa 1935]. 18 1/4 x 14 1/2 inches. Framed.](https://devapim.christies.com/uat/lot-images/5963298/2015/NYR/2015_NYR_03900_0288_000(kennington_eric_collotype_of_his_portrait_of_te_lawrence_oxford_univer050718).jpg?maxwidth=3840)
拍品 288
KENNINGTON, Eric. Collotype of his portrait of T.E. Lawrence. Oxford: University Press, [circa 1935]. 18 1/4 x 14 1/2 inches. Framed.
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KENNINGTON, Eric. Collotype of his portrait of T.E. Lawrence. Oxford: University Press, [circa 1935]. 18 1/4 x 14 1/2 inches. Framed.
LIMITED EDITION, number 25 of 100 copies signed by Kennington on a label on the verso of the frame. A fine reproduction of the so-called "Ghost Portrait", made when the artist walked over the surface of the original painting, thus creating something that "impressed [him] both by its spiritual vitality and by the chance stigmata like wounds on the forehead" (Charles Grosvenor). Lionel Curtis, like Lawrence a Fellow of All Souls, had one hundred numbered copies of the portrait made sometime after it was acquired by the College in 1935. Charles Grosvenor, The Portraits of T.E. Lawrence, #18.
LIMITED EDITION, number 25 of 100 copies signed by Kennington on a label on the verso of the frame. A fine reproduction of the so-called "Ghost Portrait", made when the artist walked over the surface of the original painting, thus creating something that "impressed [him] both by its spiritual vitality and by the chance stigmata like wounds on the forehead" (Charles Grosvenor). Lionel Curtis, like Lawrence a Fellow of All Souls, had one hundred numbered copies of the portrait made sometime after it was acquired by the College in 1935. Charles Grosvenor, The Portraits of T.E. Lawrence, #18.
KENNINGTON, Eric. Collotype of his portrait of T.E. Lawrence. Oxford: University Press, [circa 1935]. 18 1/4 x 14 1/2 inches. Framed.
LIMITED EDITION, number 25 of 100 copies signed by Kennington on a label on the verso of the frame. A fine reproduction of the so-called "Ghost Portrait", made when the artist walked over the surface of the original painting, thus creating something that "impressed [him] both by its spiritual vitality and by the chance stigmata like wounds on the forehead" (Charles Grosvenor). Lionel Curtis, like Lawrence a Fellow of All Souls, had one hundred numbered copies of the portrait made sometime after it was acquired by the College in 1935. Charles Grosvenor, The Portraits of T.E. Lawrence, #18.
LIMITED EDITION, number 25 of 100 copies signed by Kennington on a label on the verso of the frame. A fine reproduction of the so-called "Ghost Portrait", made when the artist walked over the surface of the original painting, thus creating something that "impressed [him] both by its spiritual vitality and by the chance stigmata like wounds on the forehead" (Charles Grosvenor). Lionel Curtis, like Lawrence a Fellow of All Souls, had one hundred numbered copies of the portrait made sometime after it was acquired by the College in 1935. Charles Grosvenor, The Portraits of T.E. Lawrence, #18.