A SEVRES GREEN-GROUND TWO-HANDLED CUP, COVER AND STAND (GOBELET 'A LAIT' ET SOUCOUPE, 2EME GRANDEUR)
拍品 55

A SEVRES GREEN-GROUND TWO-HANDLED CUP, COVER AND STAND (GOBELET 'A LAIT' ET SOUCOUPE, 2EME GRANDEUR)

CIRCA 1758, BLUE INTERLACED L MARKS ENCLOSING DATE LETTER E, UNIDENTIFIED PAINTER'S H MARK, INCISED AP TO CUP

已結束2015年6月3日

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GBP 7,500

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A SEVRES GREEN-GROUND TWO-HANDLED CUP, COVER AND STAND (GOBELET 'A LAIT' ET SOUCOUPE, 2EME GRANDEUR)
CIRCA 1758, BLUE INTERLACED L MARKS ENCLOSING DATE LETTER E, UNIDENTIFIED PAINTER'S H MARK, INCISED ap TO CUP
Painted with trailing flower garlands above a broad undulating green-ground band with gilt foliate scroll, feathered ornament and flower-sprays, the centre of the saucer with flowers and fruit, the cover with a flower finial, gilt dentil rims (saucer with flat rim chip, small chips to finial)
4 ¾ (12 cm.) high

專家說明

See Rosalind Savill, The Wallace Collection Catalogue of Sèvres Porcelain, London, 1988, Vol. II, pp. 667-674 for three examples of this form (C438, C439 and C440), where the author explains that this form of cup was probably intended for milk-based drinks mixed with wine, beer, herbal infusions or meat stocks and 'prescribed for those suffering from fever, depression, or the effects of too much alcohol'. The deep saucer may have been used to carry bread or as a bowl for cooling the drink. Examples in Madame de Pompadour's inventory were listed in a garde-robe adjoining a bedroom.

A gobelet of the same form and with very similar flower decoration within green-ground borders of the same type as those on the present lot was sold in these Rooms at the Wentworth sale, 'The Property of The Trustees of The Olive, Countess Fitzwiliam Chattels Settlement and of other members of the family', 8 July 1998, lot 89; it was paired with a corbeille carré or pierced tray.

See David Peters, Sèvres Plates and Services of the 18th century, Little Berkhamsted, 2005, Vol. I, p. 90 where the author mentions that the painter's mark H appears on good-quality flower-decorated pieces from 1753 to 1764. Peters suggests that the most likely candidates for the mark might be C-F Becquet, or perhaps M Socquet.