Utagawa Hiroshige (1797–1858)
Utagawa Hiroshige II (Shigenobu) (1826-1869)
Two woodblock prints by Utagawa Hiroshige and one by Utagawa Hiroshige II
Fujikawa: Scene at Post Outskirts (Fujikawa, bohana no zu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), signed Hiroshige ga, Takenouchi Magohachi (Hoeido), circa 1833-34
Toeizan Temple at Ueno (Ueno Toeizan), from the series Famous Places in Edo (Edo meisho), signed Hiroshige ga, published by Aritaya Seiemon, 1854
No. 8, Yushima Tenjin Shrine (Yushima Tenjin), from the series Forty-Eight Famous Views of Edo (Edo meisho yonjuhakkei), signed Hiroshige ga (Hiroshige II), Tsutaya Kichizo (Koeido), circa 1860-61
The first, oban yoko-e (24.3 x 36.8cm.)
The second, oban yoko-e (24.8 x 36.2cm.)
The third, vertical chuban (25.2 x 18.3cm.)
Utagawa Hiroshige (1797–1858)
Utagawa Hiroshige II (Shigenobu) (1826-1869)
Two woodblock prints by Utagawa Hiroshige and one by Utagawa Hiroshige II
Fujikawa: Scene at Post Outskirts (Fujikawa, bohana no zu), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), signed Hiroshige ga, Takenouchi Magohachi (Hoeido), circa 1833-34
Toeizan Temple at Ueno (Ueno Toeizan), from the series Famous Places in Edo (Edo meisho), signed Hiroshige ga, published by Aritaya Seiemon, 1854
No. 8, Yushima Tenjin Shrine (Yushima Tenjin), from the series Forty-Eight Famous Views of Edo (Edo meisho yonjuhakkei), signed Hiroshige ga (Hiroshige II), Tsutaya Kichizo (Koeido), circa 1860-61
The first, oban yoko-e (24.3 x 36.8cm.)
The second, oban yoko-e (24.8 x 36.2cm.)
The third, vertical chuban (25.2 x 18.3cm.)
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