藝術時期鑽石及寶石「TUTTI-FRUTTI」手鍊,密釘鑲鑽石樹枝,配雕花藍寶石及祖母綠葉片、藍寶石及祖母綠蛋面、紅寶石珠果子及琺瑯裝飾,1930年代製,手鍊長度18.0公分,配有Cartier紅色皮盒
Cartier設計
瑞郎750,000-1,150,000

*若中英文拍品描述有任何歧義,概以英文版本為準。
拍品 285 THE PROPERTY OF A LADY OF TITLE

藝術時期鑽石及寶石「TUTTI-FRUTTI」手鍊,密釘鑲鑽石樹枝,配雕花藍寶石及祖母綠葉片、藍寶石及祖母綠蛋面、紅寶石珠果子及琺瑯裝飾,1930年代製,手鍊長度18.0公分,配有Cartier紅色皮盒 Cartier設計 瑞郎750,000-1,150,000 *若中英文拍品描述有任何歧義,概以英文版本為準。

已結束2013年11月12日

成交價

CHF 1,445,000

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藝術時期鑽石及寶石「TUTTI-FRUTTI」手鍊,密釘鑲鑽石樹枝,配雕花藍寶石及祖母綠葉片、藍寶石及祖母綠蛋面、紅寶石珠果子及琺瑯裝飾,1930年代製,手鍊長度18.0公分,配有Cartier紅色皮盒 Cartier設計 瑞郎750,000-1,150,000 *若中英文拍品描述有任何歧義,概以英文版本為準。

專家說明

Few jewels have captured the imagination and enthusiasm of connoisseurs and collectors alike as the tutti-frutti creations by Cartier. These pieces are a direct translation of the colourful enamel seen on the reverse of Indian jewellery, particularly that of Jaipur origin.

Jacques Cartier was to make his first trip to India in 1911. This visit had a profound effect on the jewels produced by the firm throughout the 1920s and 30s and indirectly affected the entire jewellery design field of which the House of Cartier was one of the forerunners. Cartier established a network of buying agents in India, centered in Delhi, Calcutta and Bombay, that enabled them to procure rare Indian stones, including precious gemstones engraved in leaf, blossom and berry shape. The decoration on these stones was based on the Islamic flower cult of the Moghul emperors and inspired Cartier's designers, Charles Jacqueau in Paris and Georges Grenaille in New York, to create what has become known as the 'Tutti-frutti' style: vibrant jewels full of colour and flowing naturalistic design, contrasting with the rather severe, geometric Art Deco style, mainly executed in diamonds.

As very few real 'Tutti-Frutti' jewels made their way to the contemporary period, it is a great honor to present one of the finest examples for auction.