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拍品 47
Lill Tschudi (1911-2004)
Pierrot (Coppel LT 46)
已結束2013年4月10日
成交價
GBP 1,875
更多資訊
Lill Tschudi (1911-2004)
Pierrot (Coppel LT 46)
linocut in colours, 1935, on tissue-thin wove paper, signed and numbered 10/50 in pencil in the image, also titled in pencil in the lower margin, taped in three places along the upper sheet edge, in good condition
B. 254 x 191 mm., S. 299 x 243 mm.
Pierrot (Coppel LT 46)
linocut in colours, 1935, on tissue-thin wove paper, signed and numbered 10/50 in pencil in the image, also titled in pencil in the lower margin, taped in three places along the upper sheet edge, in good condition
B. 254 x 191 mm., S. 299 x 243 mm.
Lill Tschudi (1911-2004)
Pierrot (Coppel LT 46)
linocut in colours, 1935, on tissue-thin wove paper, signed and numbered 10/50 in pencil in the image, also titled in pencil in the lower margin, taped in three places along the upper sheet edge, in good condition
B. 254 x 191 mm., S. 299 x 243 mm.
Pierrot (Coppel LT 46)
linocut in colours, 1935, on tissue-thin wove paper, signed and numbered 10/50 in pencil in the image, also titled in pencil in the lower margin, taped in three places along the upper sheet edge, in good condition
B. 254 x 191 mm., S. 299 x 243 mm.
Many of Lill Tschudi's linocuts (lots 47-57) are printed on tissue-thin wove paper and annotated in pencil Handdruck, meaning printed by hand. This allowed for experimentation with both inking and the medium, evidence of the strong technical influence of Claude Flight who advocated the importance of hand printing over the printing press.
There is evidence that many works have been pinned or hinged to the soft linoleum in order to assist the process, as a result these works have justification pinholes and paper cuts.
There is evidence that many works have been pinned or hinged to the soft linoleum in order to assist the process, as a result these works have justification pinholes and paper cuts.
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.