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拍品 66 I had a growing feeling that most of best art of the world in painting and sculpture had been done and that this newest form [photography] was more related to the progress and tempo of modern science of the eye. Paul Outerbridge
PAUL OUTERBRIDGE (1896-1958)
Wine Glasses, 1924
已結束2013年4月4日
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At the Clarence H. White School of Photography, where he enrolled in 1921, Paul Outerbridge was instructed by his teacher Max Weber to infuse 'brisk modernity' into his work through experimentation with light, form and vantage point. Outerbridge's small and lush platinum prints of the 1920s, such as Wine Glasses--exquisite manipulations of space, light and mass--are indicative of his singular and conceptual response to this counsel.