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拍品 89 |PROPERTY FROM THE MUSEUM OF FINE ARTS, BOSTON, FOR THE BENEFIT OF THE COLLECTION
Francisco de Goya y Lucientes (1746-1828)
Por que fue sensible, Plate 32 from: Los Caprichos (Delteil 69; Harris 67)
已結束2012年12月6日
成交價
GBP 3,250
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Francisco de Goya y Lucientes (1746-1828)
Por que fue sensible, Plate 32 from: Los Caprichos (Delteil 69; Harris 67)
aquatint, 1797-98, on laid paper without watermark, a good impression from the First Edition of approximately three hundred impressions, published by the artist in 1799, the full sheet, foxing in the margins; together with Tantalo, Plate 9, from: Los Caprichos (H. 44; D. 46), etching and burnished aquatint, a fine impression from the First Edition, printed with rich contrasts and retaining the burnished highlights, with margins, the sheet slightly toned, otherwise in good condition
P. 217 x 151 mm., S. 320 x 220 mm.
P. 207 x 200 mm., S. 305 x 200 mm. (2)
Por que fue sensible, Plate 32 from: Los Caprichos (Delteil 69; Harris 67)
aquatint, 1797-98, on laid paper without watermark, a good impression from the First Edition of approximately three hundred impressions, published by the artist in 1799, the full sheet, foxing in the margins; together with Tantalo, Plate 9, from: Los Caprichos (H. 44; D. 46), etching and burnished aquatint, a fine impression from the First Edition, printed with rich contrasts and retaining the burnished highlights, with margins, the sheet slightly toned, otherwise in good condition
P. 217 x 151 mm., S. 320 x 220 mm.
P. 207 x 200 mm., S. 305 x 200 mm. (2)
Francisco de Goya y Lucientes (1746-1828)
Por que fue sensible, Plate 32 from: Los Caprichos (Delteil 69; Harris 67)
aquatint, 1797-98, on laid paper without watermark, a good impression from the First Edition of approximately three hundred impressions, published by the artist in 1799, the full sheet, foxing in the margins; together with Tantalo, Plate 9, from: Los Caprichos (H. 44; D. 46), etching and burnished aquatint, a fine impression from the First Edition, printed with rich contrasts and retaining the burnished highlights, with margins, the sheet slightly toned, otherwise in good condition
P. 217 x 151 mm., S. 320 x 220 mm.
P. 207 x 200 mm., S. 305 x 200 mm. (2)
Por que fue sensible, Plate 32 from: Los Caprichos (Delteil 69; Harris 67)
aquatint, 1797-98, on laid paper without watermark, a good impression from the First Edition of approximately three hundred impressions, published by the artist in 1799, the full sheet, foxing in the margins; together with Tantalo, Plate 9, from: Los Caprichos (H. 44; D. 46), etching and burnished aquatint, a fine impression from the First Edition, printed with rich contrasts and retaining the burnished highlights, with margins, the sheet slightly toned, otherwise in good condition
P. 217 x 151 mm., S. 320 x 220 mm.
P. 207 x 200 mm., S. 305 x 200 mm. (2)
Francis Bullard (1862-1913), Boston; and his sister Katherine Eliot Bullard (1866-1920), Boston; given to the Museum of Fine Arts, Boston, December 1914 (cf. L. 982, according to the museum and without their mark.)
Museum of Fine Arts, Boston (L. 282), with their duplicate stamp; given from the above in 1914; de-accessioned in 2012.
Museum of Fine Arts, Boston (L. 282), with their duplicate stamp; given from the above in 1914; de-accessioned in 2012.
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.
Please note the dates for Los Caprichos should read 1797-98 in the printed catalogue.