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拍品 75 |PROPERTY FROM THE COLLECTION OF THE LATE GRAZIELLA LONARDI BUONTEMPO
Giulio Paolini (b. 1940)
Partitura (Orfeo)
已結束2012年10月11日
成交價
GBP 73,250
更多資訊
Giulio Paolini (b. 1940)
Partitura (Orfeo)
titled 'Partitura (Orfeo)' (on the left paper), signed and dated 'Giulio Paolini 1976' (on the right paper); numbered '1, 2, 3' (on the reverse of each respective sheet)
pencil, collage on paper, perspex and metal music stands, in three parts
56 3/8 x 51 7/8 x 17¾in. (143 x 132 x 45cm.)
Executed in 1976
Partitura (Orfeo)
titled 'Partitura (Orfeo)' (on the left paper), signed and dated 'Giulio Paolini 1976' (on the right paper); numbered '1, 2, 3' (on the reverse of each respective sheet)
pencil, collage on paper, perspex and metal music stands, in three parts
56 3/8 x 51 7/8 x 17¾in. (143 x 132 x 45cm.)
Executed in 1976
Giulio Paolini (b. 1940)
Partitura (Orfeo)
titled 'Partitura (Orfeo)' (on the left paper), signed and dated 'Giulio Paolini 1976' (on the right paper); numbered '1, 2, 3' (on the reverse of each respective sheet)
pencil, collage on paper, perspex and metal music stands, in three parts
56 3/8 x 51 7/8 x 17¾in. (143 x 132 x 45cm.)
Executed in 1976
Partitura (Orfeo)
titled 'Partitura (Orfeo)' (on the left paper), signed and dated 'Giulio Paolini 1976' (on the right paper); numbered '1, 2, 3' (on the reverse of each respective sheet)
pencil, collage on paper, perspex and metal music stands, in three parts
56 3/8 x 51 7/8 x 17¾in. (143 x 132 x 45cm.)
Executed in 1976
Acquired directly from the artist in 1976 and thence by descent to the present owner.
G. Paolini, "Giulio Paolini. Le 'opere a venire'", in Accademia di Belle Arti, 28 April 1981, p. 8.
C. Tritto, "Tra Roma e Capri", in AD. Le più belle case del mondo , vol. II, no. 11, Milan, April 1982 (illustrated in colour, pp. 151-153).
P. Tedeschi, "Roma. Una Collezione d'arte contemporanea", in Vogue Italia, no. 13, Milan, March 1986 (illustrated in colour, pp. 536-537).
D. Lancioni, Roma in mostra 1970-1979. Materiali per la documentazione di mostre azioni performance dibattiti, Roma 1995, p. 100, no. 656.
La contemporaneità dell'arte. XII Biennale Internazionale di Scultura di Carrara, cat. exh, Carrara, Museo della Scultura, 2006, (illustrated in colour, p. 240).
M. Disch, Giulio Paolini. Catalogo ragionato 1960-1982, vol. I, Milan 2008, no. 328 (illustrated in colour, p. 337).
C. Tritto, "Tra Roma e Capri", in AD. Le più belle case del mondo , vol. II, no. 11, Milan, April 1982 (illustrated in colour, pp. 151-153).
P. Tedeschi, "Roma. Una Collezione d'arte contemporanea", in Vogue Italia, no. 13, Milan, March 1986 (illustrated in colour, pp. 536-537).
D. Lancioni, Roma in mostra 1970-1979. Materiali per la documentazione di mostre azioni performance dibattiti, Roma 1995, p. 100, no. 656.
La contemporaneità dell'arte. XII Biennale Internazionale di Scultura di Carrara, cat. exh, Carrara, Museo della Scultura, 2006, (illustrated in colour, p. 240).
M. Disch, Giulio Paolini. Catalogo ragionato 1960-1982, vol. I, Milan 2008, no. 328 (illustrated in colour, p. 337).
Rome, Palazzo Taverna, Centro d'Informazione Alternativa, Giulio Paolini Partitura (Orfeo), 1976.
Catanzaro, Complesso Monumentale del San Giovanni, Mitici Anni Sessanta. Aspetti della ricerca, 2000 (illustrated in colour, p. 113).
London, Istituto Italiano di Cultura, Beyond Infinity. The Arte Povera After the Arte Povera, 2001 (illustrated in colour, unpaged). Rome, Académie de France à Rome, Villa Medici, Incontri dalla collezione di Graziella Lonardi Buontempo, 2003 (illustrated in colour, p. 155).
Rome, MACRO Museo d'Arte Contemporanea Roma, A Roma, la nostra era avanguardia, 2010 (illustrated in colour, p. 162).
Rome, MACRO Museo d'Arte Contemporanea Roma, Omaggio a Vettor Pisani, 2012.
Catanzaro, Complesso Monumentale del San Giovanni, Mitici Anni Sessanta. Aspetti della ricerca, 2000 (illustrated in colour, p. 113).
London, Istituto Italiano di Cultura, Beyond Infinity. The Arte Povera After the Arte Povera, 2001 (illustrated in colour, unpaged). Rome, Académie de France à Rome, Villa Medici, Incontri dalla collezione di Graziella Lonardi Buontempo, 2003 (illustrated in colour, p. 155).
Rome, MACRO Museo d'Arte Contemporanea Roma, A Roma, la nostra era avanguardia, 2010 (illustrated in colour, p. 162).
Rome, MACRO Museo d'Arte Contemporanea Roma, Omaggio a Vettor Pisani, 2012.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.