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拍品 19 |Works from the Peter Norton Collection
Glenn Ligon (b. 1960)
Condition Report
已結束2012年3月7日
成交價
USD 32,500
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Glenn Ligon (b. 1960)
Condition Report
signed, titled, numbered and dated 'Glenn Ligon 2000 Condition Report 3/20' (on the reverse of each element)
diptych--iris prints with silkscreen ink on paper
each: 31 7/8 x 22 5/8 in. (81 x 57.5 cm.)
Executed in 2000. This work is number three from an edition of twenty plus one artist's proof.
Another example of this edition is in the permanent Collection of the Vera List Center for Art and Politics at the New School, New York. (2)
Condition Report
signed, titled, numbered and dated 'Glenn Ligon 2000 Condition Report 3/20' (on the reverse of each element)
diptych--iris prints with silkscreen ink on paper
each: 31 7/8 x 22 5/8 in. (81 x 57.5 cm.)
Executed in 2000. This work is number three from an edition of twenty plus one artist's proof.
Another example of this edition is in the permanent Collection of the Vera List Center for Art and Politics at the New School, New York. (2)
Glenn Ligon (b. 1960)
Condition Report
signed, titled, numbered and dated 'Glenn Ligon 2000 Condition Report 3/20' (on the reverse of each element)
diptych--iris prints with silkscreen ink on paper
each: 31 7/8 x 22 5/8 in. (81 x 57.5 cm.)
Executed in 2000. This work is number three from an edition of twenty plus one artist's proof.
Another example of this edition is in the permanent Collection of the Vera List Center for Art and Politics at the New School, New York. (2)
Condition Report
signed, titled, numbered and dated 'Glenn Ligon 2000 Condition Report 3/20' (on the reverse of each element)
diptych--iris prints with silkscreen ink on paper
each: 31 7/8 x 22 5/8 in. (81 x 57.5 cm.)
Executed in 2000. This work is number three from an edition of twenty plus one artist's proof.
Another example of this edition is in the permanent Collection of the Vera List Center for Art and Politics at the New School, New York. (2)
Jenkins Sikkema Editions, New York
Acquired from the above by the present owner, 2001
Acquired from the above by the present owner, 2001
H. Cotter, "Invoking Marcus Garvey While Looking Ahead," New York Times, 24 August 2001.
M. Berger, Patrons of Progress: The New School University Art Collection, New York, 2002, p. 9, fig. 4 (illustrated).
M. Tung, "Ligon's 'Changes' Confronts Political, Social, Personal Conflicts," Rice Thresher, 20 January 2006.
R. Meyer, "Light it Up, or How Glenn Ligon Got Over," Artforum, vol. 44, no. 9, May 2006, pp. 243-244 (illustrated in color).
M. Berger, Patrons of Progress: The New School University Art Collection, New York, 2002, p. 9, fig. 4 (illustrated).
M. Tung, "Ligon's 'Changes' Confronts Political, Social, Personal Conflicts," Rice Thresher, 20 January 2006.
R. Meyer, "Light it Up, or How Glenn Ligon Got Over," Artforum, vol. 44, no. 9, May 2006, pp. 243-244 (illustrated in color).
New York, Studio Museum in Harlem, Red Black and Green: Loans to and Selections from the Studio Museum Collection, August-September 2001 (another example exhibited).
Toronto, Power Plant Contemporary Art Gallery; Houston, Contemporary Arts Museum; Pittsburgh, Andy Warhol Museum; Columbus, Wexner Center for the Arts and Luxembourg, Mudam-Museè d'art Moderne Grand-Duc Jean, Glenn Ligon -- Some Changes, June 2005-December 2007, pp. 115, 117 and 133, no. 25 (illustrated in color, another example exhibited).
Warsaw, Zacheta National Gallery of Art, Black Alphabet: Contexts of Contemporary African American Art, September-November 2006, pp. 89 and 206 (illustrated in color).
Toronto, Power Plant Contemporary Art Gallery; Houston, Contemporary Arts Museum; Pittsburgh, Andy Warhol Museum; Columbus, Wexner Center for the Arts and Luxembourg, Mudam-Museè d'art Moderne Grand-Duc Jean, Glenn Ligon -- Some Changes, June 2005-December 2007, pp. 115, 117 and 133, no. 25 (illustrated in color, another example exhibited).
Warsaw, Zacheta National Gallery of Art, Black Alphabet: Contexts of Contemporary African American Art, September-November 2006, pp. 89 and 206 (illustrated in color).