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拍品 89 |VARIOUS PROPERTIES
Rembrandt Harmensz. van Rijn
The Artist drawing from the Model (B., Holl. 192; H. 231)
已結束2011年7月7日
成交價
GBP 15,000
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Rembrandt Harmensz. van Rijn
The Artist drawing from the Model (B., Holl. 192; H. 231)
etching with drypoint and engraving, circa 1639, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
The Artist drawing from the Model (B., Holl. 192; H. 231)
etching with drypoint and engraving, circa 1639, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
Rembrandt Harmensz. van Rijn
The Artist drawing from the Model (B., Holl. 192; H. 231)
etching with drypoint and engraving, circa 1639, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
The Artist drawing from the Model (B., Holl. 192; H. 231)
etching with drypoint and engraving, circa 1639, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
David Lindsay, Earl of Crawford and Balcarres (1900-1975), then by descent.