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拍品 2732 LOTS 2732-2738
THE PRIVATE COLLECTION OF MR. ZHAO JUYU
Zhao Juyu (1913-1981), sobriquet Mengwan, was a native of Hunan, and studied at Shanghai Fudan University, and attended the Guo Min Revolutionary Army after graduating. During the January 28 Incident in 1932, he joined the volunteer army and took part in fighting against the Empire of Japan. After the end of the Sino-Japanese war, he took up the post of Hangzhou branch manager for the Central Trust of China. Settling in Taiwan in 1949, Zhao entered the finance industry before taking up a post at the Veterans Affairs Commission. During his time he oversaw the establishment of Taipei Veterans General Hospital, and became minister before he retired.
THE PRIVATE COLLECTION OF MR. ZHAO JUYU
Zhao Juyu (1913-1981), sobriquet Mengwan, was a native of Hunan, and studied at Shanghai Fudan University, and attended the Guo Min Revolutionary Army after graduating. During the January 28 Incident in 1932, he joined the volunteer army and took part in fighting against the Empire of Japan. After the end of the Sino-Japanese war, he took up the post of Hangzhou branch manager for the Central Trust of China. Settling in Taiwan in 1949, Zhao entered the finance industry before taking up a post at the Veterans Affairs Commission. During his time he oversaw the establishment of Taipei Veterans General Hospital, and became minister before he retired.
岩下高仕 水墨紙本 鏡框
溥儒/張大千
已結束2011年5月31日
成交價
HKD 740,000
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專家說明
Zhang Daqian and Pu Ru, both talented artists in their own right and possessed completely different styles in terms of painting, poetry and writing. Whilst Zhang was born of rather humble origins yet grew to be ostentatious and painted with grandeur, Pu Ru was born of royal descent yet his paintings were simplistic, elegant, and always showed restraint.
In this piece, Pu Ru painted the scholars while Zhang painted the background. The scholar's face is pure and simple, while the background locates the scholars in a landscape that seems to stretch beyond the confines of the paper. The inscription further articulates their mutual affection and admiration.
In this piece, Pu Ru painted the scholars while Zhang painted the background. The scholar's face is pure and simple, while the background locates the scholars in a landscape that seems to stretch beyond the confines of the paper. The inscription further articulates their mutual affection and admiration.