.jpg?maxwidth=3840)
拍品 361
Howard Hodgkin (b. 1932)
Books for the Paris Review (Heenk 100)
已結束2010年9月14日
成交價
GBP 2,750
更多資訊
Howard Hodgkin (b. 1932)
Books for the Paris Review (Heenk 100)
lift-ground etching and aquatint, with carborundum in colours and hand colouring, 1997-1999, on Two Rives Somerset paper, a printer's proof, signed with initials, dated '99 and inscribed PP 3/5 in pencil, aside from the numbered edition of 100 and 20 artist's proofs, published by the Paris Review, New York, 1998, printed and hand coloured by Jack Shirreff in the 107 Workshop, in excellent condition, framed
P. 380 x 280 mm. S. 240 x 280 mm.
Books for the Paris Review (Heenk 100)
lift-ground etching and aquatint, with carborundum in colours and hand colouring, 1997-1999, on Two Rives Somerset paper, a printer's proof, signed with initials, dated '99 and inscribed PP 3/5 in pencil, aside from the numbered edition of 100 and 20 artist's proofs, published by the Paris Review, New York, 1998, printed and hand coloured by Jack Shirreff in the 107 Workshop, in excellent condition, framed
P. 380 x 280 mm. S. 240 x 280 mm.
Howard Hodgkin (b. 1932)
Books for the Paris Review (Heenk 100)
lift-ground etching and aquatint, with carborundum in colours and hand colouring, 1997-1999, on Two Rives Somerset paper, a printer's proof, signed with initials, dated '99 and inscribed PP 3/5 in pencil, aside from the numbered edition of 100 and 20 artist's proofs, published by the Paris Review, New York, 1998, printed and hand coloured by Jack Shirreff in the 107 Workshop, in excellent condition, framed
P. 380 x 280 mm. S. 240 x 280 mm.
Books for the Paris Review (Heenk 100)
lift-ground etching and aquatint, with carborundum in colours and hand colouring, 1997-1999, on Two Rives Somerset paper, a printer's proof, signed with initials, dated '99 and inscribed PP 3/5 in pencil, aside from the numbered edition of 100 and 20 artist's proofs, published by the Paris Review, New York, 1998, printed and hand coloured by Jack Shirreff in the 107 Workshop, in excellent condition, framed
P. 380 x 280 mm. S. 240 x 280 mm.
Please note that this print is a printer's proof aside from the edition of 100 and was published by The Paris Review, New York in 1998 and not as stated in the catalogue