拍品 493
MIKE KELLEY (B. 1954)
Nostalgic Description of the Innocence of Childhood
已結束2010年5月12日
成交價
USD 62,500
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MIKE KELLEY (B. 1954)
Nostalgic Description of the Innocence of Childhood
signed, numbered and dated '3/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6¼ in. (24 x 16 cm.)
Executed in 1990. This work is number three from an edition of ten.
Nostalgic Description of the Innocence of Childhood
signed, numbered and dated '3/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6¼ in. (24 x 16 cm.)
Executed in 1990. This work is number three from an edition of ten.
MIKE KELLEY (B. 1954)
Nostalgic Description of the Innocence of Childhood
signed, numbered and dated '3/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6¼ in. (24 x 16 cm.)
Executed in 1990. This work is number three from an edition of ten.
Nostalgic Description of the Innocence of Childhood
signed, numbered and dated '3/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6¼ in. (24 x 16 cm.)
Executed in 1990. This work is number three from an edition of ten.
Metro Pictures, New York
Luhring Augustine, New York
Luhring Augustine, New York
D. Rimanelli, "Mike Kelley," Artforum, September, 1990 (illustrated).
Mike Kelley, exh. cat., Stuttgart, 1992, p. 6 (illustrated).
B. Adams, "Mike Kelley ou l'esthetique de l'echec," Art Press, June, 1992, p. 36 (illustrated).
J. Jouannais, "Infamie," Venice Biennial, exh. cat., 1995, p. 21 (illustrated).
M. Bernadac and B. Marcadé, Femininmasculin--Le sexe de l'art, exh. cat., Paris, 1995, p. 29 (illustrated).
H. Foster, The Return of the Real, The Avant-Garde at the End of the Century, Cambridge, 1996, p. 163 (illustrated).
R. Goldberg and L. Anderson, Performance--Live Art Since the 60s, London, 1998, p. 205 (illustrated).
E. Lucie Smith, Art Tomorrow, Paris, 2002, p. 56 (illustrated).
Mike Kelley, exh. cat., Stuttgart, 1992, p. 6 (illustrated).
B. Adams, "Mike Kelley ou l'esthetique de l'echec," Art Press, June, 1992, p. 36 (illustrated).
J. Jouannais, "Infamie," Venice Biennial, exh. cat., 1995, p. 21 (illustrated).
M. Bernadac and B. Marcadé, Femininmasculin--Le sexe de l'art, exh. cat., Paris, 1995, p. 29 (illustrated).
H. Foster, The Return of the Real, The Avant-Garde at the End of the Century, Cambridge, 1996, p. 163 (illustrated).
R. Goldberg and L. Anderson, Performance--Live Art Since the 60s, London, 1998, p. 205 (illustrated).
E. Lucie Smith, Art Tomorrow, Paris, 2002, p. 56 (illustrated).
New York, Metro Pictures, Mike Kelley, April-May 1990.
Cologne, Museum Ludwig, Ars pro domo, May-August 1992, p. 194 (illustrated).
New York, Whitney Museum of American Art; Los Angeles County Museum of Art; Stockholm, Moderna Museet, Mike Kelley, Catholic Tastes, November 1993-Fall 1994, p. 181 (illustrated).
Zurich, Museum der Stadtentwasserung, Cloaca Maxima, June-October 1994 (illustrated).
Marseille, Musée d'Art Contemporain, L'Art au corps, le corps expose de Man Ray a nos jours, July-October 1996, p. 27 (illustrated).
Cologne, Museum Ludwig, Ars pro domo, May-August 1992, p. 194 (illustrated).
New York, Whitney Museum of American Art; Los Angeles County Museum of Art; Stockholm, Moderna Museet, Mike Kelley, Catholic Tastes, November 1993-Fall 1994, p. 181 (illustrated).
Zurich, Museum der Stadtentwasserung, Cloaca Maxima, June-October 1994 (illustrated).
Marseille, Musée d'Art Contemporain, L'Art au corps, le corps expose de Man Ray a nos jours, July-October 1996, p. 27 (illustrated).