拍品 69
Giovanni Antonio Canal, Il Canaletto
Le Porte del Dolo (B. 6)
已結束2010年3月31日
成交價
GBP 34,850
更多資訊
Giovanni Antonio Canal, Il Canaletto
Le Porte del Dolo (B. 6)
etching, circa 1740, watermark Triple Crescent (Br. 9 in the revised 2nd edition) identical to those found in Anton Maria Zanetti the Elder's contemporary album in Berlin, an exceptionally fine and luminous impression, the second state of three (the first state exists only in a unique proof), with wide margins, gilt edges left and right and below and a stitching mark at left, some small scattered foxmarks in the margins, with the original vertical drying crease, generally in very good condition
P. 298 x 428 mm., S. 418 x 583 mm.
Le Porte del Dolo (B. 6)
etching, circa 1740, watermark Triple Crescent (Br. 9 in the revised 2nd edition) identical to those found in Anton Maria Zanetti the Elder's contemporary album in Berlin, an exceptionally fine and luminous impression, the second state of three (the first state exists only in a unique proof), with wide margins, gilt edges left and right and below and a stitching mark at left, some small scattered foxmarks in the margins, with the original vertical drying crease, generally in very good condition
P. 298 x 428 mm., S. 418 x 583 mm.
Giovanni Antonio Canal, Il Canaletto
Le Porte del Dolo (B. 6)
etching, circa 1740, watermark Triple Crescent (Br. 9 in the revised 2nd edition) identical to those found in Anton Maria Zanetti the Elder's contemporary album in Berlin, an exceptionally fine and luminous impression, the second state of three (the first state exists only in a unique proof), with wide margins, gilt edges left and right and below and a stitching mark at left, some small scattered foxmarks in the margins, with the original vertical drying crease, generally in very good condition
P. 298 x 428 mm., S. 418 x 583 mm.
Le Porte del Dolo (B. 6)
etching, circa 1740, watermark Triple Crescent (Br. 9 in the revised 2nd edition) identical to those found in Anton Maria Zanetti the Elder's contemporary album in Berlin, an exceptionally fine and luminous impression, the second state of three (the first state exists only in a unique proof), with wide margins, gilt edges left and right and below and a stitching mark at left, some small scattered foxmarks in the margins, with the original vertical drying crease, generally in very good condition
P. 298 x 428 mm., S. 418 x 583 mm.
With Colnaghi's, London, 1984.
The Glory of Venice - Art in the Eighteenth Century, J. Martineau & A. Robison (ed.), London, Washington D.C., 1994/95, no. 144, p. 236.
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