拍品 331
Robert Gober (b. 1954)
Untitled
已結束2009年11月11日
成交價
USD 72,100
更多資訊
Robert Gober (b. 1954)
Untitled
incised with signature and number 'R. Gober 4/35' (on the underside)
red casting wax
3 x 2 5/8 x 7½ in. (7.6 x 6.9 x 19 cm.)
Executed in 1990. This work is number four from an edition of thirty-five.
Untitled
incised with signature and number 'R. Gober 4/35' (on the underside)
red casting wax
3 x 2 5/8 x 7½ in. (7.6 x 6.9 x 19 cm.)
Executed in 1990. This work is number four from an edition of thirty-five.
Robert Gober (b. 1954)
Untitled
incised with signature and number 'R. Gober 4/35' (on the underside)
red casting wax
3 x 2 5/8 x 7½ in. (7.6 x 6.9 x 19 cm.)
Executed in 1990. This work is number four from an edition of thirty-five.
Untitled
incised with signature and number 'R. Gober 4/35' (on the underside)
red casting wax
3 x 2 5/8 x 7½ in. (7.6 x 6.9 x 19 cm.)
Executed in 1990. This work is number four from an edition of thirty-five.
Paula Cooper Gallery, New York
New York, Barbara Gladstone Gallery, Robert Gober, Craigie Horsfield and Lawrence Weiner, June-July 1990 (another example exhibited).
New York, Josh Baer Gallery, The Andrew Glover Youth Program Benefit Exhibition, November 1990 (another example exhibited).
New York, Jack Tilton Gallery, Forbidden Games, January-February 1991 (another example exhibited).
Kassel, Documenta IX, June--September 1992 (another example exhibited).
New York, Wooster Gardens, Les Enfants Terribles, July 1992 (another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, Portrait, Still Life, Landscape: A Selection by Robert Wilson from the Collections of the Boymans-van Beuningen Museum, May-July 1993 (another example exhibited).
Ridgefield, The Aldrich Museum of Contemporary Art, Fall From Fashion, May-September 1993 (another example exhibited).
Ridgefield, The Aldrich Museum of Contemporary Art, 30 Years: Art in the Present Tense. The Aldrich's Curatorial History, 1964-1994, May- September 1994 (another example exhibited).
Basel, Museum für Gegenwartskunst, Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, June-October 1994 (another example exhibited).
New York, Curt Marcus Gallery, Sculpture as Objects, April-May 1995 (another example exhibited).
Kunsthalle Zurich, Playpen & Corpus Delirium, October-December 1996 (another example exhibited).
Hamburg, Deichtorhallen, Emotion--Junge britische und amerikanische Kunst aus der Sammlung Goetz/Young British and American Art from the Goetz Collection, October 1998-January 1999 (another example exhibited).
Minneapolis, Walker Art Center; Malmö, Rooseum Center for Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden; San Francisco Museum of Modern Art, Robert Gober: Sculpture + Drawing, February 1999--September 2000, p. 132, illustrated (another example exhibited).
New York, Sara Meltzer's On View, I'm the Boss of Myself, May-June 1999 (another example exhibited).
Baltimore, The Contemporary Museum, IMPACT: Revealing Sources for Contemporary Art, September 1999-January 2000 (another example exhibited).
Munich, Staatsgalerie moderner Kunst im Haus der Kunst, Food for the Mind: Die Sammlung Udo und Anette Brandhorst, June-October 2000 (another example exhibited).
New York, 48 Wall Street, Art Downtown: New York Painting and Sculpture, June-September 2002 (another example exhibited).
Los Angeles, The Museum of Contemporary Art, Artist's Gifts, June-August 2003 (another example exhibited).
Auckland Art Gallery Toi o Tamaki, Mixed-up Childhood, February-May 2005 (another example exhibited).
Oudenburg, Foundation De Elf Lijnen, Un salon pour Louise Bourgeois, December 2006-January 2007 (another example exhibited).
Toronto, Ydessa Hendeles Art Foundation, Dead! Dead! Dead!, April 2007-April 2008 (another example exhibited).
Munich, Museum Brandhorst, May 2009 (extended loan for approximately one year).
Deurle, Museum Dhondt-Dhaenens, Absence is the Highest Form of Presence, October-November 29, 2009 (another example exhibited).
New York, Josh Baer Gallery, The Andrew Glover Youth Program Benefit Exhibition, November 1990 (another example exhibited).
New York, Jack Tilton Gallery, Forbidden Games, January-February 1991 (another example exhibited).
Kassel, Documenta IX, June--September 1992 (another example exhibited).
New York, Wooster Gardens, Les Enfants Terribles, July 1992 (another example exhibited).
Rotterdam, Museum Boymans-van Beuningen, Portrait, Still Life, Landscape: A Selection by Robert Wilson from the Collections of the Boymans-van Beuningen Museum, May-July 1993 (another example exhibited).
Ridgefield, The Aldrich Museum of Contemporary Art, Fall From Fashion, May-September 1993 (another example exhibited).
Ridgefield, The Aldrich Museum of Contemporary Art, 30 Years: Art in the Present Tense. The Aldrich's Curatorial History, 1964-1994, May- September 1994 (another example exhibited).
Basel, Museum für Gegenwartskunst, Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, June-October 1994 (another example exhibited).
New York, Curt Marcus Gallery, Sculpture as Objects, April-May 1995 (another example exhibited).
Kunsthalle Zurich, Playpen & Corpus Delirium, October-December 1996 (another example exhibited).
Hamburg, Deichtorhallen, Emotion--Junge britische und amerikanische Kunst aus der Sammlung Goetz/Young British and American Art from the Goetz Collection, October 1998-January 1999 (another example exhibited).
Minneapolis, Walker Art Center; Malmö, Rooseum Center for Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden; San Francisco Museum of Modern Art, Robert Gober: Sculpture + Drawing, February 1999--September 2000, p. 132, illustrated (another example exhibited).
New York, Sara Meltzer's On View, I'm the Boss of Myself, May-June 1999 (another example exhibited).
Baltimore, The Contemporary Museum, IMPACT: Revealing Sources for Contemporary Art, September 1999-January 2000 (another example exhibited).
Munich, Staatsgalerie moderner Kunst im Haus der Kunst, Food for the Mind: Die Sammlung Udo und Anette Brandhorst, June-October 2000 (another example exhibited).
New York, 48 Wall Street, Art Downtown: New York Painting and Sculpture, June-September 2002 (another example exhibited).
Los Angeles, The Museum of Contemporary Art, Artist's Gifts, June-August 2003 (another example exhibited).
Auckland Art Gallery Toi o Tamaki, Mixed-up Childhood, February-May 2005 (another example exhibited).
Oudenburg, Foundation De Elf Lijnen, Un salon pour Louise Bourgeois, December 2006-January 2007 (another example exhibited).
Toronto, Ydessa Hendeles Art Foundation, Dead! Dead! Dead!, April 2007-April 2008 (another example exhibited).
Munich, Museum Brandhorst, May 2009 (extended loan for approximately one year).
Deurle, Museum Dhondt-Dhaenens, Absence is the Highest Form of Presence, October-November 29, 2009 (another example exhibited).