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拍品 393 |The Rosa de la Cruz Collection
GABRIEL OROZCO (B. 1962)
Crazy Tourist (Turista maluco); Ex-Vitral; Kerala Garden; La Oficina; Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas); Piedras en la Reja (Stones in the fence); Sand On Table (Mesa con arena); Sandwich Steps; Total Perception (Percepción Total); Pozo (Well) [10 Works]
已结束2024年5月17日
成交价
USD 40,320
更多信息
GABRIEL OROZCO (B. 1962)
Crazy Tourist (Turista maluco); Ex-Vitral; Kerala Garden; La Oficina; Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas); Piedras en la Reja (Stones in the fence); Sand On Table (Mesa con arena); Sandwich Steps; Total Perception (Percepción Total); Pozo (Well) [10 Works]
(i) Crazy Tourist (Turista maluco)
chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1991. This work is number one from an edition of five plus two artist's proofs.
(ii) Ex-Vitral
signed, titled, numbered and dated '5/5 EX-VITRAL GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(iii) Kerala Garden
signed, titled, numbered and dated '3/5 KERALA GARDEN 1998 GABRIEL OROZCO' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1998. This work is number three from an edition of five.
(iv) La Oficina
signed, titled, numbered and dated '2/5 LA OFICINA GABRIEL OROZCO 1992' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number two from an edition of five.
(v) Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas)
signed, titled and dated '"LINES AND DOTS OVER BRICKS AND CAPS" o "LINEAS Y PUNTOS SOBRE LADRILLOS Y CORCHOLATAS" GABRIEL OROZCO 2000' (on the reverse)
ink on Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is unique.
(vi) Piedras en la Reja (Stones in the fence)
signed, titled, numbered and dated '2/5 PIEDRAS EN LA REJA GABRIEL OROZCO 1989' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1989. This work is number two from an edition of five plus two artist's proofs.
(vii) Sand on Table (Mesa con arena)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number four from an edition of five plus two artist's proofs.
(viii) Sandwich Steps
signed, titled, numbered and dated '5/5 SANDWICH STEPS GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(ix) Total Perception (Percepción Total)
signed, titled, numbered and dated '3/5 TOTAL PERCEPTION - PERCEPCIÓN TOTAL GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
(x) Pozo (Well)
signed, titled, numbered and dated '3/5 POZO GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
Crazy Tourist (Turista maluco); Ex-Vitral; Kerala Garden; La Oficina; Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas); Piedras en la Reja (Stones in the fence); Sand On Table (Mesa con arena); Sandwich Steps; Total Perception (Percepción Total); Pozo (Well) [10 Works]
(i) Crazy Tourist (Turista maluco)
chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1991. This work is number one from an edition of five plus two artist's proofs.
(ii) Ex-Vitral
signed, titled, numbered and dated '5/5 EX-VITRAL GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(iii) Kerala Garden
signed, titled, numbered and dated '3/5 KERALA GARDEN 1998 GABRIEL OROZCO' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1998. This work is number three from an edition of five.
(iv) La Oficina
signed, titled, numbered and dated '2/5 LA OFICINA GABRIEL OROZCO 1992' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number two from an edition of five.
(v) Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas)
signed, titled and dated '"LINES AND DOTS OVER BRICKS AND CAPS" o "LINEAS Y PUNTOS SOBRE LADRILLOS Y CORCHOLATAS" GABRIEL OROZCO 2000' (on the reverse)
ink on Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is unique.
(vi) Piedras en la Reja (Stones in the fence)
signed, titled, numbered and dated '2/5 PIEDRAS EN LA REJA GABRIEL OROZCO 1989' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1989. This work is number two from an edition of five plus two artist's proofs.
(vii) Sand on Table (Mesa con arena)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number four from an edition of five plus two artist's proofs.
(viii) Sandwich Steps
signed, titled, numbered and dated '5/5 SANDWICH STEPS GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(ix) Total Perception (Percepción Total)
signed, titled, numbered and dated '3/5 TOTAL PERCEPTION - PERCEPCIÓN TOTAL GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
(x) Pozo (Well)
signed, titled, numbered and dated '3/5 POZO GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
GABRIEL OROZCO (B. 1962)
Crazy Tourist (Turista maluco); Ex-Vitral; Kerala Garden; La Oficina; Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas); Piedras en la Reja (Stones in the fence); Sand On Table (Mesa con arena); Sandwich Steps; Total Perception (Percepción Total); Pozo (Well) [10 Works]
(i) Crazy Tourist (Turista maluco)
chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1991. This work is number one from an edition of five plus two artist's proofs.
(ii) Ex-Vitral
signed, titled, numbered and dated '5/5 EX-VITRAL GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(iii) Kerala Garden
signed, titled, numbered and dated '3/5 KERALA GARDEN 1998 GABRIEL OROZCO' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1998. This work is number three from an edition of five.
(iv) La Oficina
signed, titled, numbered and dated '2/5 LA OFICINA GABRIEL OROZCO 1992' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number two from an edition of five.
(v) Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas)
signed, titled and dated '"LINES AND DOTS OVER BRICKS AND CAPS" o "LINEAS Y PUNTOS SOBRE LADRILLOS Y CORCHOLATAS" GABRIEL OROZCO 2000' (on the reverse)
ink on Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is unique.
(vi) Piedras en la Reja (Stones in the fence)
signed, titled, numbered and dated '2/5 PIEDRAS EN LA REJA GABRIEL OROZCO 1989' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1989. This work is number two from an edition of five plus two artist's proofs.
(vii) Sand on Table (Mesa con arena)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number four from an edition of five plus two artist's proofs.
(viii) Sandwich Steps
signed, titled, numbered and dated '5/5 SANDWICH STEPS GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(ix) Total Perception (Percepción Total)
signed, titled, numbered and dated '3/5 TOTAL PERCEPTION - PERCEPCIÓN TOTAL GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
(x) Pozo (Well)
signed, titled, numbered and dated '3/5 POZO GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
Crazy Tourist (Turista maluco); Ex-Vitral; Kerala Garden; La Oficina; Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas); Piedras en la Reja (Stones in the fence); Sand On Table (Mesa con arena); Sandwich Steps; Total Perception (Percepción Total); Pozo (Well) [10 Works]
(i) Crazy Tourist (Turista maluco)
chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1991. This work is number one from an edition of five plus two artist's proofs.
(ii) Ex-Vitral
signed, titled, numbered and dated '5/5 EX-VITRAL GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(iii) Kerala Garden
signed, titled, numbered and dated '3/5 KERALA GARDEN 1998 GABRIEL OROZCO' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1998. This work is number three from an edition of five.
(iv) La Oficina
signed, titled, numbered and dated '2/5 LA OFICINA GABRIEL OROZCO 1992' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number two from an edition of five.
(v) Lines And Dots Over Bricks And Caps (Lineas y Puntos Sobre Ladrillos y Corcholatas)
signed, titled and dated '"LINES AND DOTS OVER BRICKS AND CAPS" o "LINEAS Y PUNTOS SOBRE LADRILLOS Y CORCHOLATAS" GABRIEL OROZCO 2000' (on the reverse)
ink on Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is unique.
(vi) Piedras en la Reja (Stones in the fence)
signed, titled, numbered and dated '2/5 PIEDRAS EN LA REJA GABRIEL OROZCO 1989' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1989. This work is number two from an edition of five plus two artist's proofs.
(vii) Sand on Table (Mesa con arena)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 1992. This work is number four from an edition of five plus two artist's proofs.
(viii) Sandwich Steps
signed, titled, numbered and dated '5/5 SANDWICH STEPS GABRIEL OROZCO 2000' (on the reverse)
Cibachrome print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2000. This work is number five from an edition of five plus two artist's proofs.
(ix) Total Perception (Percepción Total)
signed, titled, numbered and dated '3/5 TOTAL PERCEPTION - PERCEPCIÓN TOTAL GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
(x) Pozo (Well)
signed, titled, numbered and dated '3/5 POZO GABRIEL OROZCO 2002' (on the reverse)
Fuji crystal archive chromogenic print
image: 12 ¼ x 18 ½ in. (31.1 x 47 cm.)
sheet: 16 x 20 in. (40.6 x 50.8 cm.)
Executed in 2002. This work is number three from an edition of five.
(i)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 1993
(ii, v, vi, viii)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 2000
(iii, iv)
Galerie Chantal Crousel, Paris
Acquired from the above by the present owner, 2000
(vii)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 1995
(ix, x)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 2003
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 1993
(ii, v, vi, viii)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 2000
(iii, iv)
Galerie Chantal Crousel, Paris
Acquired from the above by the present owner, 2000
(vii)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 1995
(ix, x)
Marian Goodman Gallery, New York
Acquired from the above by the present owner, 2003
(i)
G. Orozco, Empty Club, London, 1996, p. 102 (illustrated).
Gabriel Orozco, exh. cat., London, Serpentine Gallery, 2004, p. 81 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 38, no. 10 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 58 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, p. 63, no. 46 (illustrated).
(vi)
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 86, no. 23 (illustrated).
Gabriel Orozco, exh. cat., Los Angeles, The Museum of Contemporary Art, 2000, p. 55 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 53 (illustrated).
(vii)
G. Orozco, Empty Club, London, 1996, p. 102 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 52, no. 16 (illustrated).
(viii)
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 161 (illustrated).
(ix)
Gabriel Orozco, exh. cat.; London, Serpentine Gallery, 2004, p. 83 (illustrated).
S. Cosulich Canarutto and F. Bonami, eds., Gabriel Orozco, Verona, 2008, pp. 80-81 and 107 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 145, no. 46 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, pp. 172-173 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, n.p., no. 6 (illustrated).
(x)
Gabriel Orozco, exh. cat., London, Serpentine Gallery, 2004, p. 74 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, pp. 178-179 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, n.p., no. 39 (illustrated).
G. Orozco, Empty Club, London, 1996, p. 102 (illustrated).
Gabriel Orozco, exh. cat., London, Serpentine Gallery, 2004, p. 81 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 38, no. 10 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 58 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, p. 63, no. 46 (illustrated).
(vi)
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 86, no. 23 (illustrated).
Gabriel Orozco, exh. cat., Los Angeles, The Museum of Contemporary Art, 2000, p. 55 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 53 (illustrated).
(vii)
G. Orozco, Empty Club, London, 1996, p. 102 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 52, no. 16 (illustrated).
(viii)
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, p. 161 (illustrated).
(ix)
Gabriel Orozco, exh. cat.; London, Serpentine Gallery, 2004, p. 83 (illustrated).
S. Cosulich Canarutto and F. Bonami, eds., Gabriel Orozco, Verona, 2008, pp. 80-81 and 107 (illustrated).
Y. Bois, ed., Gabriel Orozco, Cambridge, 2009, p. 145, no. 46 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, pp. 172-173 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, n.p., no. 6 (illustrated).
(x)
Gabriel Orozco, exh. cat., London, Serpentine Gallery, 2004, p. 74 (illustrated).
Gabriel Orozco, exh. cat., New York, Museum of Modern Art, 2009, pp. 178-179 (illustrated).
Gabriel Orozco, exh. cat., London, Tate Modern, 2011, n.p., no. 39 (illustrated).
(i)
Kortrijk, The Kanaal Art Foundation, Gabriel Orozco, April-June 1993, pp. 60-61 and 69 (another example exhibited).
Philadelphia Museum of Art, Gabriel Orozco Photogravity, October-December 1999, p. 58-59 (another example exhibited).
Los Angeles, The Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo and Museo de Arte Contemporáneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 80-81 (another example exhibited).
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004, p. 41 (another example exhibited).
(ii)
Oberlin, Allen Memorial Art Museum, Modern Art in America: 20th-Century Works on Paper from the Allen Memorial Art Museum, November 2003-September 2004 (another example exhibited).
Oberlin, Allen Memorial Art Museum, Latin American Art at the Allen Memorial Art Museum, September 2014-June 2015, p. 109 (another example exhibited).
Kanazawa, 21st Century Museum of Contemporary Art, de-sport: The Deconstruction and Reconstruction of Sports through Art, June-September 2020 (another example exhibited).
(vi)
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
Kanazawa, 21st Century Museum of Contemporary Art, de-sport: The Deconstruction and Reconstruction of Sports through Art, June-September 2020 (another example exhibited).
(vii)
New York, Metropolitan Museum of Art, Johnson Galley, Selections from the Collection 10, August-November 1995 (another example exhibited).
New York, Metropolitan Museum of Art, Modern Photographs from the Collection (Now!), April-October 2000 (another example exhibited).
Los Angeles, The Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo and Museo de Arte Contemporáneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 34-35 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
New York, Metropolitan Museum of Art, Hidden in Plain Sight: Contemporary Photographs from the Collection, May-September 2007, p. 4, no. 9 (another example exhibited).
New York, Metropolitan Museum of Art, Everday Epiphanies: Photography and Daily Life Since 1969, June 2013-January 2014 (another example exhibited).
(viii)
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
(ix)
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
(x)
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
Kortrijk, The Kanaal Art Foundation, Gabriel Orozco, April-June 1993, pp. 60-61 and 69 (another example exhibited).
Philadelphia Museum of Art, Gabriel Orozco Photogravity, October-December 1999, p. 58-59 (another example exhibited).
Los Angeles, The Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo and Museo de Arte Contemporáneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 80-81 (another example exhibited).
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004, p. 41 (another example exhibited).
(ii)
Oberlin, Allen Memorial Art Museum, Modern Art in America: 20th-Century Works on Paper from the Allen Memorial Art Museum, November 2003-September 2004 (another example exhibited).
Oberlin, Allen Memorial Art Museum, Latin American Art at the Allen Memorial Art Museum, September 2014-June 2015, p. 109 (another example exhibited).
Kanazawa, 21st Century Museum of Contemporary Art, de-sport: The Deconstruction and Reconstruction of Sports through Art, June-September 2020 (another example exhibited).
(vi)
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
Kanazawa, 21st Century Museum of Contemporary Art, de-sport: The Deconstruction and Reconstruction of Sports through Art, June-September 2020 (another example exhibited).
(vii)
New York, Metropolitan Museum of Art, Johnson Galley, Selections from the Collection 10, August-November 1995 (another example exhibited).
New York, Metropolitan Museum of Art, Modern Photographs from the Collection (Now!), April-October 2000 (another example exhibited).
Los Angeles, The Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo and Museo de Arte Contemporáneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 34-35 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
New York, Metropolitan Museum of Art, Hidden in Plain Sight: Contemporary Photographs from the Collection, May-September 2007, p. 4, no. 9 (another example exhibited).
New York, Metropolitan Museum of Art, Everday Epiphanies: Photography and Daily Life Since 1969, June 2013-January 2014 (another example exhibited).
(viii)
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
(ix)
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).
(x)
Mexico City, Kurimanzutto, Gabriel Orozco: New Photographs, November 2002-January 2003 (another example exhibited).
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Directions: Gabriel Orozco: Extension of Reflection, June-September 2004 (another example exhibited).