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拍品 239 |PROPERTY FROM A PRIVATE COLLECTION
CHANA ORLOFF (1888-1968)
Maternité enceinte
已结束2024年3月8日
成交价
GBP 60,480
更多信息
CHANA ORLOFF (1888-1968)
Maternité enceinte
signed, dated and stamped with the foundry mark 'CIRE PERDUE F. CARVILLANI Ch Orloff 1919' (at the foot of the base)
bronze with a black-brown patina
height: 17 5⁄8 in. (44.8 cm.)
Conceived in 1919, this work was cast during the artist's lifetime
Maternité enceinte
signed, dated and stamped with the foundry mark 'CIRE PERDUE F. CARVILLANI Ch Orloff 1919' (at the foot of the base)
bronze with a black-brown patina
height: 17 5⁄8 in. (44.8 cm.)
Conceived in 1919, this work was cast during the artist's lifetime
CHANA ORLOFF (1888-1968)
Maternité enceinte
signed, dated and stamped with the foundry mark 'CIRE PERDUE F. CARVILLANI Ch Orloff 1919' (at the foot of the base)
bronze with a black-brown patina
height: 17 5⁄8 in. (44.8 cm.)
Conceived in 1919, this work was cast during the artist's lifetime
Maternité enceinte
signed, dated and stamped with the foundry mark 'CIRE PERDUE F. CARVILLANI Ch Orloff 1919' (at the foot of the base)
bronze with a black-brown patina
height: 17 5⁄8 in. (44.8 cm.)
Conceived in 1919, this work was cast during the artist's lifetime
Shindel Lee, Israel, by the 1970s, and thence by descent to her estate.
Acquired from the above by the present owner.
Acquired from the above by the present owner.
G. Kahn, "Chana Orloff" in Les Feuillets d'Art, no. 5, July 1922, pp. 231-232.
R. Rey, "Salon de l'Araignée" in Le Crapouillot, 1 May 1924, pp. 18-20.
A. Alexandre, "Les Sculpteurs à l'Exposition", La Renaissance de l'Art, 1925.
E. des Courières, Chana Orloff, Paris, 1927, p. 324.
H. Gamzou, Chana Orloff, Israel, 1951.
A. Vidal, "Couleurs, Formes..." in Tribune Juive, 27 January 1984.
M. Vellay & K. Frampton, Pierre Chareau, Paris, 1984.
F. Marcilhac, Chana Orloff, Paris, 1991, no. 37, p. 210 (another cast illustrated p. 211; titled 'Maternité debout enceinte' and dated '1920').
R. Rey, "Salon de l'Araignée" in Le Crapouillot, 1 May 1924, pp. 18-20.
A. Alexandre, "Les Sculpteurs à l'Exposition", La Renaissance de l'Art, 1925.
E. des Courières, Chana Orloff, Paris, 1927, p. 324.
H. Gamzou, Chana Orloff, Israel, 1951.
A. Vidal, "Couleurs, Formes..." in Tribune Juive, 27 January 1984.
M. Vellay & K. Frampton, Pierre Chareau, Paris, 1984.
F. Marcilhac, Chana Orloff, Paris, 1991, no. 37, p. 210 (another cast illustrated p. 211; titled 'Maternité debout enceinte' and dated '1920').
Ariane Tamir has confirmed the authenticity of this sculpture.